The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
History
The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
There is but one manifestation of the man in these last years which
need delay us: and that was the sudden interest in politics which arose
from his sympathy with the great French Revolution. His only political
feeling had been hitherto a sentimental Jacobitism, not more or less
respectable than that of Scott, Aytoun, and the rest of what George
Borrow has nicknamed the "Charlie over the water" Scotsmen. It was a
sentiment almost entirely literary and picturesque in its origin, built
on ballads and the adventures of the Young Chevalier; and in Burns it is
the more excusable, because he lay out of the way of active politics in
his youth. With the great French Revolution, something living,
practical, and feasible appeared to him for the first time in this realm
of human action. The young ploughman who had desired so earnestly to
rise, now reached out his sympathies to a whole nation animated with the
same desire. Already in 1788 we find the old Jacobitism hand in hand
with the new popular doctrine, when, in a letter of indignation against
the zeal of a Whig clergyman, he writes: "I daresay the American
Congress in 1776 will be allowed to be as able and as enlightened as the
English Convention was in 1688; and that their posterity will celebrate
the centenary of their deliverance from us, as duly and sincerely as we
do ours from the oppressive measures of the wrong-headed house of
Stuart." As time wore on, his sentiments grew more pronounced and even
violent; but there was a basis of sense and generous feeling to his
hottest excess. What he asked was a fair chance for the individual in
life; an open road to success and distinction for all classes of men. It
was in the same spirit that he had helped to found a public library in
the parish where his farm was situated, and that he sang his fervent
snatches against tyranny and tyrants. Witness, were it alone, this
verse:
"Here's freedom to him that wad read,
Here's freedom to him that wad write;
There's nane ever feared that the truth should be heard
But them wham the truth wad indite."
Public-domain text, read in full here on John Shaqi.
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