The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 03
Stevenson, Robert Louis
English literature -- 19th century; Horror tales; Literature -- History and criticism
And it happens that literature is, in some ways, but an indifferent
means to such an end. Language is but a poor bull's-eye lantern
wherewith to show off the vast cathedral of the world; and yet a
particular thing once said in words is so definite and memorable, that
it makes us forget the absence of the many which remain unexpressed;
like a bright window in a distant view, which dazzles and confuses our
sight of its surroundings. There are not words enough in all Shakespeare
to express the merest fraction of a man's experience in an hour. The
speed of the eyesight and the hearing, and the continual industry of the
mind, produce, in ten minutes, what it would require a laborious volume
to shadow forth by comparisons and roundabout approaches. If verbal
logic were sufficient, life would be as plain sailing as a piece of
Euclid. But, as a matter of fact, we make a travesty of the simplest
process of thought when we put it into words; for the words are all
coloured and forsworn, apply inaccurately, and bring with them, from
former uses, ideas of praise and blame that have nothing to do with the
question in hand. So we must always see to it nearly, that we judge by
the realities of life and not by the partial terms that represent them
in man's speech; and at times of choice, we must leave words upon one
side, and act upon those brute convictions, unexpressed and perhaps
inexpressible, which cannot be flourished in an argument, but which are
truly the sum and fruit of our experience. Words are for communication,
not for judgment. This is what every thoughtful man knows for himself,
for only fools and silly schoolmasters push definitions over far into
the domain of conduct; and the majority of women, not learned in these
scholastic refinements, live all-of-a-piece and unconsciously, as a tree
grows, without caring to put a name upon their acts or motives. Hence, a
new difficulty for Whitman's scrupulous and argumentative poet: he must
do more than waken up the sleepers to his words; he must persuade them
to look over the book and at life with their own eyes.
Public-domain text, read in full here on John Shaqi.
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