The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 09
Stevenson, Robert Louis
English literature -- 19th century
We have not so far to climb to come to shepherds; and it may be I had
one for an ascendant who has largely moulded me. But yet I think I owe
my taste for that hillside business rather to the art and interest of
John Todd. He it was that made it live for me as the artist can make all
things live. It was through him the simple strategy of massing sheep
upon a snowy evening, with its attendant scampering of earnest, shaggy
aides-de-camp, was an affair that I never wearied of seeing, and that I
never weary of recalling to mind; the shadow of the night darkening on
the hills, inscrutable black blots of snow-shower moving here and there
like night already come, huddles of yellow sheep and dartings of black
dogs upon the snow, a bitter air that took you by the throat, unearthly
harpings of the wind along the moors; and for centre-piece to all these
features and influences, John winding up the brae, keeping his captain's
eye upon all sides, and breaking, ever and again, into a spasm of
bellowing that seemed to make the evening bleaker. It is thus that I
still see him in my mind's eye, perched on a hump of the declivity not
far from Halkerside, his staff in airy flourish, his great voice taking
hold upon the hills and echoing terror to the lowlands; I, meanwhile,
standing somewhat back, until the fit should be over, and, with a pinch
of snuff, my friend relapse into his easy, even conversation.
VII
THE MANSE
I have named, among many rivers that make music in my memory, that dirty
Water of Leith. Often and often I desire to look upon it again; and the
choice of a point of view is easy to me. It should be at a certain
water-door, embowered in shrubbery. The river is there dammed back for
the service of the flour-mill just below, so that it lies deep and
darkling, and the sand slopes into brown obscurity with a glint of gold;
and it has but newly been recruited by the borrowings of the snuff-mill
just above, and these, tumbling merrily in, shake the pool to its black
heart, fill it with drowsy eddies, and set the curded froth of many
other mills solemnly steering to and fro upon the surface. Or so it was
when I was young; for change, and the masons, and the pruning-knife,
have been busy; and if I could hope to repeat a cherished experience, it
must be on many and impossible conditions. I must choose, as well as the
point of view, a certain moment in my growth, so that the scale may be
exaggerated, and the trees on the steep opposite side may seem to climb
to heaven, and the sand by the water-door, where I am standing, seem as
low as Styx. And I must choose the season also, so that the valley may
be brimmed like a cup with sunshine and the songs of birds;--and the
year of grace, so that when I turn to leave the river-side I may find
the old manse and its inhabitants unchanged.
Public-domain text, read in full here on John Shaqi.
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