(Now of these branches of philosophy, logic has no concern with the composition of myths; nor has mathematics, the sub‐division of natural philosophy; but they may be employed, if at all, by that department of practical philosophy which deals with the individual man, and by that department of theology which has to do with initiation and the Mysteries. For nature loves to hide her secrets,(176) and she does not suffer the hidden truth about the essential nature of the gods to be flung in naked words to the ears of the profane. Now there are certain characteristics of ours that derive benefit from that occult and unknown nature, which nourishes not our souls alone but our bodies also, and brings us into the presence of the gods, and this I think often comes about by means of myths; when through riddles and the dramatic setting of myths that knowledge is insinuated into the ears of the multitude who cannot receive divine truths in their purest form.) Φανεροῦ δὲ ἤδη γενομένου τίνι καὶ ποίῳ φιλοσοφίας εἴδει καὶ μυθογραφεῖν ἔσθ᾽ ὅτε προσήκει· πρὸς γὰρ τῷ λόγῳ μαρτυρεῖ τούτοις ἡ τῶν προλαβόντων ἀνδρῶν προαίρεσις. ἐπεὶ καὶ Πλάτωνι πολλὰ μεμυθολόγηται περὶ τῶν ἐν ᾅδου πραγμάτων θεολογοῦντι καὶ πρό γε τούτου τῷ τῆς Καλλιόπης, [217] Ἀντισθένει δὲ καὶ Ξενοφῶντι καὶ αὐτῷ Πλάτωνι πραγματευομένοις ἠθικάς τινας ὑποθέσεις οὐ παρέργως, ἀλλὰ μετά τινος ἐμμελείας ἡ τῶν μύθων ἐγκαταμέμικται γραφή, οὓς σ᾽(177) ἐχρῆν, εἴπερ ἐβούλου, μιμούμενον ἀντὶ μὲν Ἡρακλέους μεταλαμβάνειν Περσέως ἢ Θησέως τινὸς ὄνομα καὶ τὸν Ἀντισθένειον τύπον ἐγχαράττειν, ἁντὶ δὲ τῆς Προδίκου σκηνοποιιας ἀμφὶ τοῖν ἀμφοῖν [B] τούτοιν θεοῖν ἑτέραν ὁμοίαν εἰσάγειν εἰς τὸ θέατρον. (It is now evident what branch and what sort of philosophy may properly on occasion employ myths. And to support my argument I call to witness the authority of those philosophers who were the first to use myths. Plato for instance in his theological descriptions of life in Hades often uses myths, and the son(178) of Calliope before him. And when Antisthenes and Xenophon and Plato himself discuss certain ethical theories they use myths as one of the ingredients, and not casually but of set purpose. Now if you too wished to use myths you ought to have imitated these philosophers, and instead of Heracles you should have introduced the name of Perseus or Theseus, let us say, and have written in the style of Antisthenes; and in place of the dramatic setting used by Prodicus,(179) in treating of those two gods(180) you should have introduced into your theatre another setting of the same sort.)