"Listen!" he said. "The case shall be stated, and you shall answer me
'Yes' or 'No.' Louise Vanderkelkov has fallen ill--at least, so her
ridiculous mother asserts. She is charged with a rôle; without that rôle
the play stopped. Englishwomen are either the best or the worst of their
sex. I apply to an Englishwoman to save me. What is her answer--'Yes,'
or 'No'?"
Seeing in his vexed, fiery and searching eye an appeal behind its
menace, my lips dropped the word "Oui."
His rigid countenance relaxed with a quiver of content; then he went on:
"Here is the book. Here is your rôle. You must withdraw." He conveyed me
to the attic, locked me in, and took away the key.
What I felt that successful night, and what I did, I no more expected to
feel and do than to be lifted in a trance to the seventh heaven. A keen
relish for dramatic expression revealed itself as part of my nature. But
the strength of longing must be put by; and I put it by, and fastened it
in with the lock of a resolution which neither time nor temptation has
since picked.
It was at this school fête that I discovered the identity of Miss
Fanshawe's M. Isidore. She whispered to me, after the play: "Isidore and
Alfred de Hamal are both here!" The latter I found was a straight-nosed,
correct-featured little dandy, nicely dressed, curled, booted, and
gloved; and Isidore was the manly English Dr. John, who attended the
pupils of the school, and was none other than the gentleman whose
directions to an hotel I had failed to follow on the night of my arrival
in Villette. And the puppet, the manikin--a mere lackey for Dr. John,
his valet, his foot-boy, was the favoured admirer of Ginevra Fanshawe!
_III.--Old Friends are Best_
During the long vacation I stayed at the school, and, in the absence of
companionship and the sedative of work, suffered such agonising
depression as led to physical illness, until one evening, after
wandering aimlessly in the city, I fell fainting as I tried to reach the
porch of a great church. When I recovered consciousness, I found myself
in a room that smiled "Auld lang syne" out of every nook.
Where was I? The furniture was that with which I had been so intimate in
the drawing-room of my godmother's house at Bretton. Nay, there, on the
linen of my bed, were my godmothers initials "L.L.B."; and there was the
portrait that used to hang over the mantelpiece in the breakfast-room in
the old house at Bretton. I audibly pronounced the name--"Graham!"
"Graham!" echoed a sudden voice at my bedside. "Do you want Graham?"
She was little changed; something sterner, something more robust, but it
was my godmother, Mrs. Bretton.
"How was I found, madam?"
"My son shall tell you by and by," said she. "I am told you are an
English teacher in a foreign school here."
Before evening I was downstairs, and seated in a corner, when Graham
arrived home, and entered with the question: "How is your patient,
mamma?"
Public-domain text, read in full here on John Shaqi.
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