At night she visited a dancing house to see the strange dances of the
desert. She found Androvsky there, watching the painted women as if half
fascinated, half horrified by them. Irena, a girl who had been banished
from Beni-Mora for threatening to murder an Arab of whom she was
jealous, but had been permitted to return, discovering him among the
audience, stabbed him. There was a violent scene, during which
Androvsky, forcing his way through the desert men, protected Domini from
the crush. The crowd rushed out, leaving them alone together. Androvsky
insisted on escorting Domini back to the hotel.
_II.--Defying Allah in Allah's Garden_
The acquaintance thus unconventionally began between them continued, and
ripened into a strange friendship. Domini was a magnificent horsewoman.
Finding that Androvsky did not know how to ride, she gave him lessons.
Together they galloped over the desert sands; together they visited the
Saharan villages, hidden in the groves of date palms behind the brown
earthen walls of the oasis; together watched the burning sunsets of
Africa; at meal-times they met in the hotel; in the evenings they sat
upon the verandah, and heard the Zouaves singing in chorus, the distant
murmur of the tom-toms.
Domini became profoundly interested in Androvsky, but her interest was
complicated by wonder at his peculiarities, at his uncouth manners, his
strange silences, his ignorance of life and of social matters, his
distrust of others, his desire to keep aloof from all human beings,
except herself. The good priest, now her intimate friend, Count Anteoni,
also her friend and respectful admirer, were ill at ease with him. He
had tried to avoid them, but Domini, anxious to bring some pleasure into
his life, had introduced him to them at a luncheon given by the count in
his garden, despite Androvsky's dogged assertion that he disliked
priests, and did not care for social intercourse.
Public-domain text, read in full here on John Shaqi.
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