With the help of as many princes and generals as they could win to their side they marched towards the land which they had lost, taking back by force what had been wrested from them by force. The two armies met face to face on the field of Kurukshetra (land of the Kurus), and the battle, which lasted eighteen days, was about to begin. The father and king of the Kauravas, called Dhritarashtra, aged and blind, felt that he could not stand to witness the bloody affray. He accordingly accepted the offer of Vyasa (Krishna), a relative of both the contending parties, to have the entire course of events described to him when all was over, one Sangara, being deputed to perform the task. The battle began and proceeded for ten long days when Bhrisma, the chief general of the Kauravas, fell. At this point Sangara advanced to the old King Dhritarashtra to acquaint him with the course things had taken, and among the rest to recite to him a conversation which had taken place between Krishna and Arguna, the Pandavan prince and general. It is this dialogue which constitutes the Holy Song, known as the Bhagavad-Gita, or Krishna Song, the Krishna of this philosophic poem being, of course, the eighth avatara; or incarnation, of Vishnu. The remaining books of the Mahabharata recount the subsequent incidents of the war, which, in all, lasted for eighteen days. The Kauravas were destroyed, the only survivors being the Pandavas and Krishna with his charioteer. The many dead that were left on the field were buried with the rites of religion, and amid many signs of touching affection and grief. Bhrisma, leader of the Kauravas, instructs Yudhishthira on the duties of kings and other topics. The poem then ends. THE BHAGAVAD-GITA, OR HOLY SONG OF BRAHMANISM This poem forms one of the finest episodes in the great Iliad of India, and, in fact, is hardly surpassed for profound thought, deep feeling, and exquisite phrasing, in the whole literature of India. Telang holds that the song is at least as old as the 4th century, and is inclined to regard it as an original part of the epic. According to most scholars, however, the "Divine Song" was added at a later period, and, in fact, in its present form it is scarcely older than 500 A.D. It is so thoroughly Brahmanic in its teaching that there can be little doubt but that this song was introduced in order to convey the teaching of Brahmanism prevalent at the time. The German scholar, Dr. Lorinser, has tried to prove that the author of this song had a knowledge of the New Testament and used it. The following passages are pointed out by him as dependent on New Testament passages. BHAGAVAD-GITA I am exceedingly dear to the wise man; he also is dear to me. I am the way, supporter, lord, witness, abode, refuge, friend. I never depart from him (the true Yogis); he never departs from me. They who worship me with true devotion, are in me and I in them.