Fantasy fiction; Imaginary wars and battles -- Fiction
When that was done, yet more biting seemed the night air and yet more
like the grave the stillness of the chamber. The King’s hand shook as
with an ague as he turned the pages of the mighty book. Gro’s teeth
chattered in his head. He gritted them together and waited. And now
through every window came a light into the chamber as of skies paling
to the dawn. Yet not wholly so; for never yet came dawn at midnight,
nor from all four quarters of the sky at once, nor with such swift
strides of increasing light, nor with a light so ghastly. The candle
flames burned filmy as the glare waxed strong from without: an evil
pallid light of bale and corruption, wherein the hands and faces of the
King Gorice and his disciple showed death-pale, and their lips black as
the dark skin of a grape where the bloom has been rubbed off from it.
The King cried terribly, “The hour approacheth!” And he took a phial of
crystal containing a decoction of wolf’s jelly and salamander’s blood,
and dropped seven drops from the alembic into the phial and poured
forth that liquor on the figure of the crab drawn on the floor. Gro
leaned against the wall, weak in body but with will unbowed. So bitter
was the cold that his hands and feet were benumbed, and the liquor from
the phial congealed where it fell. Yet the sweat stood in beads on the
forehead of the King by reason of the mighty striving that was his, and
in the overpowering glare of that light from the underskies he stood
stiff and erect, hands clenched and arms outstretched, and spake the
words LURO VOPO VIR VOARCHADUMIA.
Now with those words spoken the vivid light departed as a blown-out
lamp, and the midnight closed down again without. Nor was any sound
heard save the thick panting of the King; but it was as if the night
held its breath in expectation of that which was to come. And the
candles sputtered and burned blue. The King swayed and clutched the
table with his left hand; and again the King pronounced terribly the
word VOARCHADUMIA.
Public-domain text, read in full here on John Shaqi.
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