In no part of the world is starvation an agreeable business; but I
believe it is admitted there is no worse place to starve in than this
city of Paris. The appearances of life are there so especially gay,
it is so much a magnified beer-garden, the houses are so ornate, the
theatres so numerous, the very pace of the vehicles is so brisk, that a
man in any deep concern of mind or pain of body is constantly driven in
upon himself. In his own eyes, he seems the one serious creature moving
in a world of horrible unreality; voluble people issuing from a
cafe, the queue at theatre doors, Sunday cabfuls of second-rate
pleasure-seekers, the bedizened ladies of the pavement, the show in the
jewellers' windows--all the familiar sights contributing to flout his
own unhappiness, want, and isolation. At the same time, if he be at all
after my pattern, he is perhaps supported by a childish satisfaction:
this is life at last, he may tell himself, this is the real thing;
the bladders on which I was set swimming are now empty, my own weight
depends upon the ocean; by my own exertions I must perish or succeed;
and I am now enduring in the vivid fact, what I so much delighted to
read of in the case of Lonsteau or Lucien, Rodolphe or Schaunard.
Of the steps of my misery, I cannot tell at length. In ordinary times
what were politically called “loans” (although they were never meant to
be repaid) were matters of constant course among the students, and many
a man has partly lived on them for years. But my misfortune befell me
at an awkward juncture. Many of my friends were gone; others were
themselves in a precarious situation. Romney (for instance) was reduced
to tramping Paris in a pair of country sabots, his only suit of clothes
so imperfect (in spite of cunningly adjusted pins) that the authorities
at the Luxembourg suggested his withdrawal from the gallery. Dijon, too,
was on a leeshore, designing clocks and gas-brackets for a dealer; and
the most he could do was to offer me a corner of his studio where I
might work. My own studio (it will be gathered) I had by that time lost;
and in the course of my expulsion the Genius of Muskegon was finally
separated from her author. To continue to possess a full-sized statue,
a man must have a studio, a gallery, or at least the freedom of a back
garden. He cannot carry it about with him, like a satchel, in the
bottom of a cab, nor can he cohabit in a garret, ten by fifteen, with
so momentous a companion. It was my first idea to leave her behind at
my departure. There, in her birthplace, she might lend an inspiration,
methought, to my successor. But the proprietor, with whom I had
unhappily quarrelled, seized the occasion to be disagreeable, and called
upon me to remove my property. For a man in such straits as I now found
myself, the hire of a lorry was a consideration; and yet even that I
could have faced, if I had had anywhere to drive to after it was hired.
Public-domain text, read in full here on John Shaqi.
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