The Wrong WomanStewart, Charles D. (Charles David)
General
The Wrong Woman
Stewart, Charles D. (Charles David)
Texas -- Fiction
This time she reached the creek and gave herself over to its guidance.
Comanche Creek, like other prairie streams, had its line of trees which
very plainly belonged to it and not to the prairie. This impression of
foreignness to the region was emphasized by their extending in unbroken
procession from horizon to horizon, as if they were merely crossing the
plains. While the stream hurried on to its congregation of waters, the
trees seemed bound for some distant forest. Quite strictly they kept
to the course; none of them, beech, hickory, live-oak, nor pecan,
encroached beyond the right of way nor seemed ever to have been
forgetful that these were the Plains. It was very much as if they
recognized that trees ought not to grow here. As, indeed, they ought
not. The prairie is itself as much as is the ocean or forest, and it
has no room to spare. Space, like wood and water, must have its own
exclusive regions wherein to exercise its larger and deeper spell.
These were the earthly fastnesses of space; and so preempted. Many
grapevines looped along the route, some of them of ancient growth,
hanging like big ropes from tree to tree; these had the appearance of
keeping a still closer regard to the direction of the stream itself,
their more sinuous wood flowing along in a like spirit and keeping the
waters company. Nowhere so artfully, perhaps, as in a prairie stream,
are eye and ear addressed by the manifold activities of wood and water.
To come across it in the course of a long monotonous journey is as
sudden as falling in love--and very much like it.
Comanche Creek, having such advantages of contrast and sharp
comparison, was well calculated to strike the mind with the whole charm
of stream and forest; and so it worked upon Janet. To her right was
the prairie as monotonous as duty; to her left the creek with its
mirrored vistas, its rippling bends, its comfortable resting-places
where sun and shade played together. Inviting as it all was, however,
she kept well out on the open where her business lay; only occasionally
did she let her gaze wander from its set task to loiter in this more
restful scene. She kept on looking for lambs. But after a while she
awoke to the fact that she had been walking closer and closer when she
ought to be keeping out on the prairie; instead of using it as a guide
in her work she was making a companion of it. She turned at once and
marched out to the scene of duty.
Public-domain text, read in full here on John Shaqi.
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