It is probable that the vigor with which among this resilient people amusements were carried on had a definite relation to the intensity, monotony, and sordidness of the labor from which they were a recoil. At all events, with more leisure on week days and an opportunity to do his work under pleasanter conditions, the German readily adapted himself to a type of relaxation which was less boisterous and more genteel. His work and his living being what they were, it is doubtful if anything better in the form of amusements could have been expected of him. Travelers from England and America, on their visits to Germany, were impressed with the wholesomeness of the Sunday picnics, the rambles through the forests, the frolics on the village greens and in the parks adjacent to the towns and cities.[46] With all his sociability, joviality, and occasional levity, the German was not devoid of an element of austerity. This was one secret of his ability to achieve. Whatever the work might be, he settled himself to its performance with a grim determination expressive of century-long training. The mechanic, from his apprentice years, was habituated to long hours of unremitting but improving toil. The farmer (_bauer_) was a traditional daylight-saver and a night-worker besides, such excessive labor being compulsory under the system of serfdom, when the peasant’s time was levied upon to a very large extent by the lord. The German schools inculcated similar habits of relentless application to the work in hand, and even the government bureaus, under rigorous task-masters like old Friedrich Wilhelm and his son Frederick the Great, enforced compliance with the ideal of a patient, steady “grind” which not inaptly typified the German in the eyes of other peoples. The German often performed less work in the time consumed than an alert Yankee would have performed in a shorter day; his tools and implements were generally awkward and inefficacious; even in scholarship he not infrequently took the long way around to reach his goal--but he usually reached it because he had no notion of turning back or of stopping at a halfway point on his job. Persistent rather than brilliant, more industrious than inventive, the German toiled on, content if he always had something to show for his labor. The contrast, in that generation, between the German at work and the German at play is the contrast between a man governed by an intense purpose to accomplish a given task, whether interesting or not, and the same man intent on accomplishing nothing with every physical, intellectual, and emotional evidence of enjoying the process. Some men carry into their play the morale which governs them in their work; others import into their work the spirit of their play. In the case of the mid-nineteenth century German the two aspects of his existence, work and play, differed in spirit quite as much as in content.