The yellow book, an illustrated quarterly. Vol. 1, April 1894
General
The yellow book, an illustrated quarterly. Vol. 1, April 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
And this--say you?--will make monotony? You are mistaken, _toto coelo_
mistaken. When your mistress has wearied you with one expression, then
it will need but a few touches of that pencil, a backward sweep of that
brush, and lo, you will be revelling in another. For though, of course,
the painting of the face is, in manner, most like the painting of
canvas, in outcome it is rather akin to the art of music--lasting, like
music's echo, not for very long. So that, no doubt, of the many little
appurtenances of the Reformed Toilet Table, not the least vital will be
a list of the emotions that become its owner, with recipes for
simulating them. According to the colour she wills her hair to be for
the time--black or yellow or, peradventure, burnished red--she will
blush for you, sneer for you, laugh or languish for you. The good
combinations of line and colour are nearly numberless, and by their
means poor restless woman will be able to realise her moods in all their
shades and lights and dappledoms, to live many lives and masquerade
through many moments of joy. No monotony will be. And for us men
matrimony will have lost its sting.
But be it remembered! Though we men will garner these oblique boons, it
is into the hands of women that Artifice gives her pigments. I know, I
know that many men in a certain sect of society have shown a marked
tendency to the use of cosmetics. I speak not of the countless gentlemen
who walk about town in the time of its desertion from August to October,
artificially bronzed, as though they were fresh from the moors or from
the Solent. This, I conceive, is done for purely social reasons and need
not concern me here. Rather do I speak of those who make themselves up,
seemingly with an æsthetic purpose. Doubtless--I wish to be quite
just--there are many who look the better for such embellishment; but, at
the hazard of being thought old-fashioned and prejudiced, I cannot speak
of the custom with anything but strong disapproval. If men are to lie
among the rouge-pots, inevitably it will tend to promote that
amalgamation of the sexes which is one of the chief planks in the
decadent platform and to obtund that piquant contrast between him and
her, which is one of the redeeming features of creation. Besides,
really, men have not the excuse of facial monotony, that holds in the
case of women. Have we not hair upon our chins and upper lips? And can
we not, by diverting the trend of our moustache or by growing our beard
in this way or that, avoid the boredom of looking the same for long? Let
us beware. For if, in violation of unwritten sexual law, men take to
trifling with the paints and brushes that are feminine heritage, it may
be that our great ladies will don false imperials, and the little doner
deck her pretty chin with a Newgate fringe! After all, I think we need
not fear that many men will thus trespass. Most of them are in the City
nowadays, and the great wear and tear of that place would put their use
Public-domain text, read in full here on John Shaqi.
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