The yellow book, an illustrated quarterly. Vol. 3, October, 1894
General
The yellow book, an illustrated quarterly. Vol. 3, October, 1894
English literature -- 19th century -- Periodicals; Great Britain -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Sir Geoffrey, chained to the neighbourhood of London by legal
business, already too long deferred, connected with the succession
which had made him a rich man and brought him home, could only rebel
mutely against the ill-fortune which left him solitary at a time when
he most longed for fellowship, acknowledging the while, with a touch
of self-reproach, that the position which he resented was very largely
due to his own shortcomings; he had always figured as a lamentably
bad correspondent, and his inveterate aversion to letter-writing had
allowed the links of many old friendships to fall asunder, had operated
to leave such friends as were still in touch with him in ignorance of
his home-coming.
Now, as he paused in the hall of his club to light a cigarette before
passing out into the pleasant July twilight, he told himself that
for the present he had done with London; he would shake the dust of
the inhospitable city from off his feet, and go down to the place in
Wiltshire which was learning to call him master, to await better days
in company with his beloved falcons. He even found himself taking
comfort from this prospect while a hansom bore him swiftly to the Savoy
Theatre, and when he was safely ensconced in his stall he beguiled
the interval before the rising of the curtain--a period which his
impatience to escape from the club rather than any undue passion for
punctuality had made somewhat lengthy--by considering, speculatively,
the chances of society which the Willescombe neighbourhood seemed
to afford. He enjoyed the first act of the extravaganza with the
zest of a man to whom the work of the famous collaborators was an
entire novelty, his pleasure unalloyed by the fact, of which he was
blissfully unconscious, that one of the principal parts was played by
an understudy. His _ennui_ returning with the fall of the curtain,
he prepared to spend the entr’acte in contemplation of the people
who composed the house, rather than to incur the resentment of the
placid dowagers who were his neighbours, by passing and repassing,
like the majority of his fellow-men, in search of the distant haven
where cigarettes and drinks, obtained with difficulty, could be
hastily appreciated. More than once his wandering eyes returned to a
box next the stage on a dress-circle tier, and finally they rested
rather wistfully on its occupants, or, to be more accurate, on the
younger of the two ladies who were seated in front. It was not simply
because the girl was pretty, though her beauty, the flower-like charm
of a young Englishwoman fresh from the schoolroom, a fine example
of a type not particularly rare, would have furnished a sufficient
pretext: he was struck by a resemblance, a haunting reminiscence,
which at first exercised his curiosity, and ended by baffling and
tantalising him. There was something vaguely familiar, he thought, in
the manner of her smile, the inclination of her head as she turned
Public-domain text, read in full here on John Shaqi.
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