Room after room, gallery after gallery; you know the rest. Shall we describe the silk hangings and the reverend tapestry, the agate tables and the tall screens, the china and the armour, the state beds and the curious cabinets, and the family pictures mixed up so quaintly with Italian and Flemish art? But we pass from meek Madonnas and seraphic saints, from gleaming Claudes and Guidos soft as Eve, from Rubens’s satyrs and Albano’s boys, and even from those gay and natural medleys, paintings that cheer the heart, where fruit and flower, with their brilliant bloom, call to a feast the butterfly and bee; we pass from these to square-headed ancestors by Holbein, all black velvet and gold chains; cavaliers, by Vandyke, all lace and spurs, with pointed beards, that did more execution even than their pointed swords; patriots and generals, by Kneller, in Blenheim wigs and Steen-kirk cravats, all robes and armour; scarlet judges that supported ship-money, and purple bishops, who had not been sent to the Tower. Here was a wit who had sipped his coffee at Button’s, and there some mad Alcibiades duke who had exhausted life ere he had finished youth, and yet might be consoled for all his flashing follies could he witness the bright eyes that lingered on his countenance, while they glanced over all the patriotism and all the piety, all the illustrious courage and all the historic craft, which, when living, it was daily told him that he had shamed. Ye dames with dewy eyes that Lely drew! have we forgotten you? No! by that sleepy loveliness that reminds us that night belongs to beauty, ye were made for memory! And oh! our grandmothers, that we now look upon as girls, breathing in Reynolds’s playful canvas, let us also pay our homage to your grace!