The Young Emperor, William II of Germany: A Study in Character Development on a ThroneFrederic, Harold
History
The Young Emperor, William II of Germany: A Study in Character Development on a Throne
Frederic, Harold
William II, German Emperor, 1859-1941
As might be naturally expected in this bustle of busy officials, of
bankers and merchants burdened with a novel wealth, of the ceaseless
rattle of bayonets and clatter of swords and spurs, art and literature
are pretty well pushed to the wall. The vast new growth of Berlin and
the rush toward it of German wealth, rank, and fashion, have drawn in
their train a certain current of painters and writers, but nothing
at all in proportion with the expansion in other lines of activity.
Berlin’s new supremacy has not affected Leipsic as the book centre of
German-speaking people, or Munich and Düsseldorf as homes of art study.
These changes may come, too, in time, particularly if the young Emperor
exerts himself to achieve such an end. Up to the present, he has been
too busy even to think of such a thing. The exactions of his daily
routine of labour are so great that he simply has no time for the softer
and more intellectual side of life, even if the taste were there. He has
found leisure to sit for several portraits since his accession, but that
seems to have been the sum of his attention to art. As for literature,
an observant official in Berlin assured me of his conviction that
William had not had the time to read a single book since his accession.
Whatever may come in the future, it is undeniable that the author
now cuts a poor figure in Berlin. The city’s drift is toward material
things--toward business, official rank, and martial perfection. Even the
most prosperous and popular writers of books in Berlin strive to
obtain some small post in the civil service in order to command social
position. Among many instances of this brought to my notice one will
serve as an illustration. Ernst von Wilderbruch is the most successful
of contemporary Berlin playwrights, but on his card you will read that
he is a Counsellor of Legation at the Foreign Office. This office yields
him a salary equal to a twentieth part of his income from his plays,
but it is of the greatest importance to him because it insures his rank.
Here in England Edmund Gosse has an official place--just as in Boston
Robert Grant holds a post in the municipal service. But can you fancy
either of these gentlemen putting the fact on his card, or preferring to
be known as an official rather than as a writer?
Even the splendid University of Berlin exerts a liberalizing influence
rather through the public political attitude of its professors than
by the diffusion of literary tastes among the community. This fact,
together with the recollections which associate the late Emperor
Frederic with bookish people, and the irritated consciousness that
a very large proportion of Germany’s present authors are Jews and
Radicals, gives the contemptuous attitude of Berlin’s aristocratic and
military classes toward literature a decided political twist.
Public-domain text, read in full here on John Shaqi.
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