The Youngest Girl in the Fifth: A School StoryBrazil, Angela
General
The Youngest Girl in the Fifth: A School Story
Brazil, Angela
Schools -- Fiction
After her talk with Father on the evening of the prize-giving Gwen
went back to school determined, if she could not feel cordial just at
present towards her classmates, she would at least bury the hatchet
and take no notice of the unkindness they had exhibited. It seemed
much the most dignified course, for Gwen was far too proud to look
injured, or to show even to Netta that she had felt hurt. Perhaps the
girls were a little ashamed of themselves. Iris Watson and one or two
others spoke to her with quite an approach to friendliness, and
Elspeth Frazer asked her opinion about the costumes for the play. Gwen
was not taking a part, so she was rather a free lance in that respect,
and her advice was likely to be disinterested. Each Form got up its
own particular act with a secrecy worthy of the Freemasons. It was a
point of honour not to betray the least tiny hint of what was going to
happen, in order that the performance should be a complete surprise to
the rest of the school.
Now the Fifth had decided to give the trial scene from the _Merchant
of Venice_--rather an ambitious and decidedly a hackneyed piece to
select. The Dramatic Society was influenced in its choice, however,
by several considerations; the Form was studying _The Merchant_, and
had learnt the principal speeches for recitations, which would save a
great deal of trouble to the performers in the matter of studying
parts. Then Hilda Browne's father was a barrister and would lend his
wig for the occasion, and Louise Mawson could bring a gown that would
do excellently for Shylock's gaberdine, also two sets of tights and
doublets and feathered caps, all of which were invaluable assets in
the way of stage properties.
"We must manage the rest of the costumes as best we can," said
Elspeth. "Charlotte Perry knows of a dressmaker who makes fancy
dresses very cheaply. She does them for other schools. The chief
question is the scheme of colour: Hilda wants us to copy exactly from
some celebrated picture, and Louise says it doesn't matter as long as
everything looks very bright and gay. Here's a book of costumes. Tell
me what you think."
Public-domain text, read in full here on John Shaqi.
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