On the ground-floor are a large hall, the Council Chamber, and the Burgomaster's office. The staircase leads to the _Salle des Echevins_, which occupies practically the whole length of the story. It was decorated quite recently by A. de Vriendt with frescoes illustrating episodes from the history of Bruges. Its magnificent Gothic vaulting is ornamented with pendent wood-work. The Chapel of Saint-Sang. [Illustration: +The Chapel of Saint-Sang.+] Adjoining the Hôtel-de-Ville, on the right, is the Chapel of Saint-Sang (Holy-Blood), _(photos opposite and on p. 9)_. This famous name was given to two superimposed sanctuaries. The lower one (12th century) with short massive pillars, was dedicated to St. Basil. In the upper one (15th century), is kept the shrine of the Holy Blood, brought from Palestine, according to tradition, by Count Thierry d'Alsace, in 1148. This was the starting-point of the famous procession which, before the German invasion, used to attract large numbers of people to Bruges each year, and was in fact a public festival. Inaugurated in 1303, it takes place on the first Monday following May 3. [Illustration: +The Chapel of St. Sang.+] The pretty, Flamboyant, two-storied building of blue stone, containing the staircase which leads to the upper chapel, dates from 1530. The chapel is in striking contrast with the massive "crypt" of St. Basil. The stained-glass windows, representing the Dukes of Burgundy, are practically copies of the magnificent windows formerly sold by the City Authorities to a local secondhand dealer for 14 francs each, and which now adorn an English mansion. [Illustration: +The Shrine of St. Sang.+] The shrine of St. Sang was made in 1614-1617 by Jean Crabbe, the Bruges goldsmith, to replace the one destroyed in 1578. It is a very fine piece of Renaissance workmanship in different metals studded with gems _(Photo opposite)_. The "Greffe". Built in 1535-1537, the pretty façade was restored, re-gilded and adorned with statues in 1881-1884 _(Photo, p. 93)_. The Palais-de-Justice and Palais-du-Franc. The chief interest of the Palais-de-Justice lies in the ancient _Chambre Echevinale_ which contains the famous mantelpiece so often reproduced pictorially, although no image can give an adequate idea of its richness and splendour _(Photo above)_. In this "poem of carved wood", the great artist, Lancelot Blondeel, expressed with wonderful power and wealth of detail the apotheosis of Charles-Quint. The imperial effigy, forming a central _motif_, stands out boldly in relief. The other life-size figures which surmount the panels to the right and left represent: _on one side_, Maximilian of Austria and Marie of Burgundy; _on the other side_, Ferdinand of Aragon and Isabella of Castile, ancestors of the Emperor. The mantelpiece proper is in black marble with a frieze of alabaster representing, in bas-relief, the story of Susannah. This masterpiece was conceived by Blondeel and executed by Guyot de Beaugrant.