Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
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Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
But the corps de ballet! It was everything but a beauty. If there
is anything likely to strike a theatre-goer as ludicrous, it is an
awkward squad of over-grown girls, with gauze-garnished limbs and
dissipated-looking blonde wigs. A precocious ballet-debutante is a
bit of Dead-Sea fruit shot backward off Terpsichore's head, and if
the bullet does not lay Terpsichore herself out in a first-class
undertaker's style it is because Terpsichore happens to be in terribly
good luck. These reflections were suggested by a sight of the
intermingling danseuses that kept pretty well in the rear of the stage.
You could tell the height to which each one could safely fling her foot
on looking at her. The girl who was making her first appearance had not
yet gotten over her splayfootedness, and every time she took a peep
at the audience and began to realize the airiness of her costume and
gawkiness of her manners, her knees knocked together fast enough to
keep a few notes ahead of her chattering teeth. And her dress! there
was nothing marvellous about it--nothing that would carry a person off
into the ideal financial realms of a national debt. It was powerfully
plain with a stiff and provoking effort at showiness. The next line,
who also may be classed as figurantes, are plainly to be distinguished
by their natty air of sauciness and a noticeable clipping-off of the
super-abundant clothing that encumbers the latest additions to the
corps. The coryphees, though, are radiant in glittering, close-fitting
silver mail, and there is acquired grace in their actions, and a
high haughtiness in the toss of their heads. The premieres everybody
understands and recognizes, who has once seen them pirouette on their
toes or slam around in a wild ecstasy of dancing delight that would
give anybody else a vertigo and lead to numerous and possibly serious
dislocations. Well, all these were whispering or prattling together,
in the way of the scene-shifters, who went around reckless of their
language, with sleeves rolled up and anxious faces and questioning
eyes turned upon all whom they encountered there. It struck me, as I
gazed upon this almost naked and highly interesting ballet, that if the
moon had no atmosphere, as those who know best claim, the costumes of
these gay and giddy girls were airy enough to stock it with a pretty
extensive and healthy one. Out of this jumble of scenery and from the
midst of these jostling characters the start was made for the moon.
There was no carriage, no cartridge, no load in the cannon. Her trip as
a trip was a most undisguised and diaphanous fraud. While _King Pin_,
the _Prince_, the _Professor_, and the rest were arranging themselves
in a happy tableau behind the second "flat" bang! went a gun fired by
one of the supers, across the stage flew several "dummies" or stuffed
figures in the direction of the roof, the scene opened and lo the jolly
crowd were in Moonland. _King Pin_, _Prince Caprice_ and _Microscope_
Public-domain text, read in full here on John Shaqi.
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