Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
The great value of the art of making-up, as the preparation for
participation in a play is called, both in the matter of painting the
face and costuming, will be understood when the story told by Maze
Edwards, who was Edwin Booth's manager during the tour of 1881-2, is
recited. * * * The company got to Waterbury, Connecticut, ahead of
their baggage. When the hour for the performance arrived the baggage,
consisting of all their costumes and paraphernalia was still missing.
The manager was in a terrible plight; but I will let him tell his own
story as he told it to a newspaper reporter a short time after the
occurrence.
[Illustration: EDWIN BOOTH.]
"When I found the baggage, with the costumes, had not arrived," said
Edwards, "I was just going to throw myself into the river. Then I
thought I would go and tell Mr. Booth about it and bid good-bye to some
of the people who had always thought a good deal of me, before killing
myself. To my astonishment Mr. Booth took it as coolly as you would
take an invitation to drink. He said, inasmuch as the people were in
the hall, he would make a few remarks to them about the accident, and
then they would go on and play three acts of "Hamlet" in the clothes
they had on. And so it was fixed up that way. Well, the thought of
_Hamlet_ in a short-tailed coat and light pants almost made me sick,
and when Mr. Booth came upon the stage, looking like an Episcopal
minister, with a Knight Templar's cheese knife that he borrowed,
I couldn't think of anything but _Hamlet_. I forgot all about his
clothes, and I believe if he had only had on a pair of sailor's pants
and a red flannel fireman's shirt that the people would only have seen
_Hamlet_. I tell you he is the greatest actor that ever lived. The
people sat perfectly still, and seemed wrapped up in Booth. That is,
they were when they did not look at the other fellows. But when they
took _Laertes_, with a short, ham-fat coat on, a pair of lah-de-dah
pants and a pan-cake hat, it seemed to me I could hear them smile. And
the _King_, _Hamlet's_ step-father, he was a sight. Imagine a king
with a cut-away checkered coat, a Pullman car blanket thrown over his
shoulder for a robe, and a leg of a chair for a sceptre, mashed on a
queen with a travelling dress and a gray woollen basque with buttons
on it. And think of _Polonius_, with a linen duster and a straw hat
with a blue ribbon on. Oh, it made me tired. _Ophelia_ was all right
enough. She had on some crazy clothes that she had been travelling
in, and we got some straw out of a barn and some artificial flowers
off the bonnets, and she pulled through pretty well. But the _Ghost_!
You would have died to have seen the _Ghost_. He had on one of those
long hand-me-down ulster overcoats with a buckle on the back as big
as a currycomb and the belt was hanging down on both sides. The boys
got him a green mosquito bar to put over it, and with a stuffed club
for a sceptre, he fell over a chair and then came on. I should have
Public-domain text, read in full here on John Shaqi.
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