Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust ArenaJennings, John J. (John Joseph)
History
Theatrical and Circus Life: or, Secrets of the Stage, Green-Room and Sawdust Arena
Jennings, John J. (John Joseph)
Circus; Theater -- United States
Gathered together in the entrances and within easy call of the
prompter, whose business it has recently become to mind everybody
else's business, are the performers, male and female mingling together,
waiting for their cue to go on. The absence of chairs makes it
necessary for all to remain on their feet, and only when a friendly
"property" that may be used for sedentary purposes is within reach will
a weary actor or actress take possession of it. Enough has been said
already about the general aspect of affairs behind the scenes and the
groupings in the green-room. Now, let us turn our attention to some
of the individuals and incidents of this remarkable little world. The
stage prompter is, probably, as important a gentleman as we could first
run against. The prompter stands at his desk at one side of the stage,
with a book of the play before him during the entire performance. It is
his business to furnish the players with their lines when memory fails
them. He must be quick to give the performer the exact word that has
thrown him off the track, and just as soon as an actor or actress looks
appealingly towards him he knows what it means--that the performer is
"stuck"--and he must run to their aid at once. His position is almost
as responsible as that of the prompter in the Japanese theatre, who
goes from one actor to the other, during the whole performance, and,
with a lantern placed up against the play-book, reads off the lines
which the actor is expected to repeat. He must be at the theatre
during the morning rehearsals; and he also writes out parts; changes
of scenes; makes lists of the properties or articles needed; and
altogether, his position is nothing like a sinecure. A rule of the
theatre, that in many places, has glided quietly out of existence, is
to the effect that nobody must lounge in the prompter's corner. But
they do. Many a fairy queen, with shining raiment and powerful wand,
loiters around to catch a glimpse of the few lines she has to speak,
while darling little princes in the nicest of tights, or pirates, or
bandits, with symmetrical limbs fully displayed, and the softest of
hearts beating under their corsets, get alongside of him, and because
they have had little parts to memorize, and have let them slip lightly
and swiftly beyond their recollection, tease the prompter to help them
regain the lost words.
[Illustration: MILTON NOBLES.]
Public-domain text, read in full here on John Shaqi.
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