"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Nell Gwyn is claimed by the Herefordshire people. In Hereford city,
a mean house in the rear of the Oak Inn is pointed out as the place
of her birth. The gossips there little thought that a child so humbly
born would be the mother of a line of dukes, or that her great
grandson[23] should be the bishop of her native town, and occupy
for forty years the episcopal palace in close proximity to the poor
cottage in which the archest of hussies first saw the light.
But the claims of Pipe Lane, Hereford, are disputed by Coal Yard,
Drury Lane, and also by Oxford, where Nell's father, James Gwyn, a
"captain," according to some, a fruiterer according to others, died
in prison. The captain with his wife Helena,[24] somewhile a resident
in St. Martin's Lane, had two daughters, Nell and Rose. The latter
married a Captain Capels, and, secondly, a Mr. Foster; little else is
known of her, save that her less reputable sister left her a small
legacy, and that she survived till the year 1697. Nelly was born
early in 1650; and tradition states that she very early ran away
from her country home to town, and studied for the stage by going
every night to the play. I suspect Coal Yard was her first bower,
that thence she issued to cry "fresh herrings!" and captivate the
hearts of susceptible link-boys; and passed, from being hander of
strong waters to the gentlemen who patronised Madame Ross's house,
to taking her place in the pit, with her back to the orchestra, and
selling oranges and pippins, with pertinent wit, gratis, to liberal
fops who would buy the first and return the second with interest. As
Rochester assures us, there was a "wondering pit" in presence of this
smartest and most audacious of orange-girls. It was natural enough
that she should attract the notice of the actors, that Lacy should
give her instruction, and that from Charles Hart she should take that
and all the love he could pay her. The latter two were spoken of
in prologues, long after both were dead, as "those darlings of the
stage."
Public-domain text, read in full here on John Shaqi.
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