"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)Doran, Dr. (John)
History
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
Doran, Dr. (John)
Actors -- Great Britain; Theater -- Great Britain -- History
Lacy was a great Falstaff, too; and his portrait, a triple one,
painted by Wright and etched by Hopkins, one of the Princess
Elizabeth's pages, is familiarly known to Hampton Court visitors.
Lacy had been first a dancing-master, then a lieutenant in the army,
before he tried the stage. In his day he had no equal; and his
admirers denied that the day to come would ever see his equal. Lacy
was handsome, both in shape and feature, and is to be remembered
as the original performer of Teague, in the "Committee;" a play
of Howard's, subsequently cut down to the farce of "The Honest
Thieves." And eight years later (1671), taught by Buckingham, and
mimicking Dryden, he startled the town with that immortal Bayes, in
the "Rehearsal;" a part so full of happy opportunities that it was
coveted or essayed for many years, not only by every great actor,
whatever his line, but by many an actress, too; and last of all by
William Farren, in 1819.
There was nothing within the bounds of comedy that Lacy could not act
well. Evelyn styles him "Roscius." Frenchman, or Scot, or Irishman,
fine gentleman or fool, rogue or honest simpleton, Tartuffe or
Drench, old man or loquacious woman,--in all, Lacy was the delight
of the town for about a score of years. The King ejected the best
players from parts, considered almost as their property, and assigned
them to Lacy. His wardrobe was a spectacle of itself, and gentlemen
of leisure and curiosity went to see it. He took a positive enjoyment
in parts which enabled him to rail at the rascalities of courtiers.
Sometimes this Aristophanic licence went too far. In Howard's "Silent
Woman," the sarcasms reached the King, and moved his majesty to
wrath, and to locking up Lacy himself in the Porter's Lodge. After
a few days' detention, he was released; whereupon Howard, meeting
him behind the scenes, congratulated him. Lacy, still ill in temper,
abused the poet for the nonsense he had put into the part of Captain
Otter, which was the cause of all the mischief. Lacy further told
Howard he was "more a fool than a poet." Thereat the honourable
Edward, raising his glove, smote Lacy smartly with it over the face.
Jack Lacy retaliated by lifting his cane and letting it descend quite
as smartly on the pate of a man who was cousin to an earl. Ordinary
men marvelled that the honourable Edward did not run Jack through the
body. On the contrary, without laying hand to hilt, Howard hastened
to the King, lodged his complaint, and the house was thereupon
ordered to be closed. Thus, many starved for the indiscretion of one;
but the gentry rejoiced at the silencing of the company, as those
clever fellows and their fair mates were growing, as that gentry
thought, "too insolent."
Public-domain text, read in full here on John Shaqi.
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