Canada -- Description and travel -- Fiction; Honeymoons -- Fiction; New York (State) -- Description and travel -- Fiction
III.
All the long afternoon it idly swings and sways;
And on the shore the crowd lifts up its hands and prays:
Lifts to heaven and wrings the hands so helpless to save,
Prays for the mercy of God on him whom the rock and the ways
Battle for, fettered betwixt them, and who amidst their strife
Straggles to help his helpers, and fights so hard for his life,
Tugging at rope and at reef, while men weep and women swoon.
Priceless second by second, so wastes the afternoon.
And it is sunset now; and another boat and the last
Down to him from the bridge through the rapids has safely passed.
IV.
Wild through the crowd comes flying a man that nothing can stay
Maddening against the gate that is locked athwart his way.
"No! we keep the bridge for them that can help him. You,
Tell us, who are you?" "His brother!" "God help you both! Pass through."
Wild, with wide arms of imploring he calls aloud to him,
Unto the face of his brother, scarce seen in the distance dim;
But in the roar of the rapids his fluttering words are lost
As in a wind of autumn the leaves of autumn are tossed.
And from the bridge he sees his brother sever the rope
Holding him to the raft, and rise secure in his hope;
Sees all as in a dream the terrible pageantry,
Populous shores, the woods, the sky, the birds flying free;
Sees, then, the form--that, spent with effort and fasting and fear,
Flings itself feebly and fails of the boat that is lying so near,
Caught in the long-baffled clutch of the rapids, and rolled and hurled
Headlong on to the cataract's brink, and out of the world.
"O Basil!" said Isabel, with a long sigh breaking the hush that best
praised the unknown poet's skill, "it isn't true, is it?"
"Every word, almost, even to the brother's coming at the last moment.
It's a very well-known incident," he added, and I am sure the reader
whose memory runs back twenty years cannot have forgotten it.
Public-domain text, read in full here on John Shaqi.
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