Theo: A Sprightly Love StoryBurnett, Frances Hodgson
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Theo: A Sprightly Love Story
Burnett, Frances Hodgson
Love stories
"My poor, handsome Theo," he would say. "Why, my beauty, there are tears
in your eyes. What a scoundrel I am, if I have brought them there. What!
the rose-colored satin again, my darling! Don't wear the rose-colored
satin, Theo. It hurts my eyes. For God's sake, Priscilla, forgive me!"
And yet, even while they added to her terror, these poor ravings were
some vague comfort, since they told her that he loved her. More than
once her friend the doctor entered the room, and found her kneeling by
the bedside, holding the unresponsive hand, with a white face and wide,
tearless eyes; and seeing her thus, he read clearly that his pretty,
inexperienced _protege_ had more at stake than he had even at first
fancied.
It was about six days after Theodora North had arrived at St. Quentin,
when, sitting at her post one morning, she heard the lumbering stage
stop before the inn door. She rose and went to the window, half
mechanically, half anxiously. She had been expecting Lady Throckmorton,
for so long a time, that it seemed almost impossible that it could be
she. But strangers had evidently alighted. There was a bustle of
servants below, and one of them was carrying a leathern trunk into the
house immediately under her window. It was a leathern trunk, rather
shabby than otherwise, and on its side was an old label, which, being
turned toward her, she could read plainly. She read it, and gave a faint
start. It bore, in dingy black letters, the word "Downport."
She had hardly time to turn round, before there was a summons at the
door, and without waiting to be answered, Splaighton entered, looking at
once decorous and injured.
"There are two ladies in the parlor, mademoiselle," she said (she always
called Theo mademoiselle in these days), "two English ladies, who did
not give their names. They asked for Miss North."
Theo looked at the woman, and turned pale. She did not know how or why
her mother and Pamela should come down to this place, but she felt sure
it was they who were awaiting her; and for the first time since she had
received the telegram, a shock of something like misgiving rushed upon
her. Suppose, after all, she had not done right. Suppose she had done
wrong, and they had heard of it, and came to reproach her, or worse
still (poor child, it seemed worse still to her), to take her away--to
make her leave her love to strangers. She began to tremble, and as she
went out of the room, she looked back on the face upon the pillow, with
a despairing fear that the look might be her last.
She hardly knew how she got down the narrow stair-case. She only knew
that she went slowly, in a curious sort of hysterical excitement.
Then she was standing upon the mat at the parlor-door; then she had
opened the door itself, and stood upon the threshold, looking in upon
two figures just revealed to her in the shadow. One figure--yes, it was
Pamela's; the other not her mother's. No, the figure of Priscilla Gower.
Public-domain text, read in full here on John Shaqi.
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