Another acquaintance of his, a draper at Holloway, had built himself a
moated grange. The moat was supplied from the water-works under special
arrangement, and all the electric lights were imitation candles. He had
done the thing thoroughly. He had even designed a haunted chamber in
blue, and a miniature chapel, which he used as a telephone closet. Young
Bute had been invited down there for the shooting in the autumn. He said
he could not be sure whether he was doing right or wrong, but his
intention was to provide himself with a bow and arrows.
A change was coming over this young man. We had talked on other subjects
and he had been shy and deferential. On this matter of bricks and mortar
he spoke as one explaining things.
I ventured to say a few words in favour of the Tudor house. The Tudor
house, he argued, was a fit and proper residence for the Tudor
citizen—for the man whose wife rode behind him on a pack-saddle, who
conducted his correspondence by the help of a moss-trooper. The Tudor
fireplace was designed for folks to whom coal was unknown, and who left
their smoking to their chimneys. A house that looked ridiculous with a
motor-car before the door, where the electric bell jarred upon one’s
sense of fitness every time one heard it, was out of date, he maintained.
“For you, sir,” he continued, “a twentieth-century writer, to build
yourself a Tudor House would be as absurd as for Ben Jonson to have
planned himself a Norman Castle with a torture-chamber underneath the
wine-cellar, and the fireplace in the middle of the dining-hall. His
fellow cronies of the Mermaid would have thought him stark, staring mad.”
There was reason in what he was saying. I decided not to mention my idea
of altering the chimneys and fixing up imitation gables, especially as
young Bute seemed pleased with the house, which by this time we had
reached.
“Now, that is a good house,” said young Bute. “That is a house where a
man in a frock-coat and trousers can sit down and not feel himself a
stranger from another age. It was built for a man who wore a frock-coat
and trousers—on weekdays, maybe, gaiters and a shooting-coat. You can
enjoy a game of billiards in that house without the feeling that comes to
you when playing tennis in the shadow of the Pyramids.”
Public-domain text, read in full here on John Shaqi.
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