England -- Social life and customs -- 19th century -- Fiction; Villages -- England -- Fiction
Marmaduke came down in April, and it was evident enough to any one that
he wanted change, or rest, or some other means of renewing health. His
face was thin, his eyes unquiet; there was a sort of suspicious
watchfulness in his manner unlike his old languor, which nobody could
make out, but which they all noticed, except the Vicar and Marion. It
made Winifred so uncomfortable that she could not help asking Marion
whether anything were the matter.
"Everything is the matter," said the girl in her eager way. She could
not get out of her head that each day that passed was defrauding them of
that perfect bliss for which she waited impatiently. She looked with a
little contempt at Winifred, who seemed not to understand this impetuous
demand for happiness. Poor Winifred! It was impossible for her not to
contrast Marion's position with her own, and to wonder that it should
bring so little contentment. Once when Marion was pouring forth her
complaints and longings, she said gravely,--"You don't know what worse
than nonsense you are talking;" and yet, as she said it, her eyes were
full of tender depth. Her moods were not very settled at this time,
sometimes she was resentful, abrupt; but she said these words so
strangely that they startled Marion, who was accustomed on the strength
of her engagement to look down upon her friend as from a height of
experience. She did not know that there were other springs of
experience of which she could not fathom the depths, nay, that there is
something far more divine and profound than experience itself, out of
the strength of which came Winifred's quiet words. Yet something in
them made her wonder. It was a spring afternoon, one of those days in
which sudden surprises of shade and brightness alternate with each
other. Now and then an intensity of light flashed out from a break in
the grey hurrying clouds, and the young green of the larches and the
tender pink blossoms of the elms grew vivid and sparkling under its
touch; now and then it all faded into sober tints. A line of heavy blue
marked the distant moorland; between a thinly clothed network of
branches might be traced a crowd of small fields, patches of red soil
crossed by sombre lines of hedges, brown nests in the rookery swaying in
the wind, a pear-tree standing up in ghostly whiteness before the rent
clouds. Winifred was leaning against a window of the Vicarage
drawing-room, and looking out, her steadfast eyes grave with a sweet
seriousness. Marion, who was watching her, said suddenly,--
"Winifred, you have grown older!"
She smiled, but gave no answer.
"But it is you who do not know. Wait until you are engaged yourself,"
continued Marion, falling back upon her old point of superiority, and
yet anxious to induce Winifred to agree.
"It is possible to see, although one is outside,--besides, it has
nothing to do with feelings."
This was said slowly, and Marion cried out at once,--
"Nothing to do with feelings!"
Public-domain text, read in full here on John Shaqi.
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