Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
An escape in time is no more satisfactory. You live in the radiant
future, live for the future. You console yourself for the spectacle of
things as they are by the thought of what they will be. And you work,
perhaps, to make them be what you think they ought to be. I know all
about it, I assure you. I have done it all myself—lived in a state of
permanent intoxication at the thought of what was to come, working
happily for a gorgeous ideal of happiness. But a little reflection
suffices to show how absurd these forward lookings, these labours for
the sake of what is to be, really are. For, to begin with, we have no
reason to suppose that there is going to be a future at all, at any rate
for human beings. In the second place we do not know whether the ideal
of happiness towards which we are striving may not turn out either to be
totally unrealisable or, if realisable, utterly repellent to humanity.
Do people want to be happy? If there were a real prospect of achieving a
permanent and unvarying happiness, wouldn’t they shrink in horror from
the boring consummation? And finally, the contemplation of the future,
the busy working for it, does not prevent the present from existing. It
merely partially blinds us to the present.
The same objections apply with equal force to the escapes which do not
launch out into space or time, but into Platonic eternity, into the
ideal. An escape into mere fancy does not prevent facts from going on;
it is a disregarding of the facts.
Finally there are those people, more courageous than the escapers, who
actually plunge into the real contemporary life around them, and are
consoled by finding in the midst of its squalor, its repulsiveness and
stupidity, evidences of a widespread kindliness, of charity, pity and
the like. True, these qualities exist and the spectacle of them is
decidedly cheering; in spite of civilisation, men have not fallen below
the brutes. Parents, even in human society, are devoted to their
offspring; even in human society the weak and the afflicted are
sometimes assisted. It would be surprising, considering the origins and
affinities of man, if this were not the case. Have you ever read an
obituary notice of which the subject did not possess, under his rough
exterior and formidable manner, a heart of gold? And the obituarists,
however cloying their literary productions, are perfectly right. We all
have hearts of gold, though we are sometimes, it is true, too much
preoccupied with our own affairs to remember the fact. The really cruel,
the fundamentally evil man is as rare as the man of genius or the total
idiot. I have never met a man with a really bad heart. And the fact is
not surprising; for a man with a really bad heart is a man with certain
instincts developed to an abnormal degree and certain others more or
less completely atrophied. I have never met a man like Mozart for that
matter.
Public-domain text, read in full here on John Shaqi.
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