Those Times and TheseCobb, Irvin S. (Irvin Shrewsbury)
General
Those Times and These
Cobb, Irvin S. (Irvin Shrewsbury)
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
Again he nodded, making queer movements with his hands, the meaning of
which they could not interpret. Indeed, none there waited to try.
With one accord they started for the deepest and securest of their
burrows--the one beneath the battered-down sugar-beet factory. Its
fallen walls and its shattered roof made a lid, tons heavy and yards
thick, above the cellar of it. In times of fighting it had been their
safest refuge. So once more they ran to hide themselves there. The
ragged children scurried on ahead like a flight of autumn leaves. The
very old men and the women followed after the children; and behind all
the rest, like a rearguard, went the cripple and the old woman, steering
the blind man between them.
At the gullet of a little tunnel-like opening leading down to the deep
basement below, these three halted a brief moment; and the palsied man
and the woman, looking backward, were in time to see a skirmisher in
the uniform of a French foot soldier cross a narrow vista in the
ruins, perhaps a hundred yards away, and vanish behind a culm of
broken masonry. Seen at that distance, he seemed short, squatty--almost
gnomish. Back in the rear of him somewhere a bugle sounded a halting,
uncertain blast, which trailed off suddenly to nothing, as though the
bugler might be out of breath; and then--pow, pow, pow!--the first shots
sounded. High overhead a misdirected bullet whistled with a droning,
querulous note. The three tarried no longer, but slid down into the
mouth of the tunnel.
Inside the cellar the women and children already were stretched close up
to the thick stone sides, looking like flattened piles of rags against
the flagged floor. They had taken due care, all of them, to drop down
out of line with two small openings which once had been windows in the
south wall of the factory cellar, and which now, with their sashes gone,
were like square portholes, set at the level of the earth. Through these
openings came most of the air and all of the daylight which reached
their subterranean retreat.
The old woman cowered down in an angle of the wall, rocking back and
forth and hugging her two bony knees with her two bony arms; but the
maimed soldiers, as befitting men who had once been soldiers, took
stations just beneath the window holes, the one to listen and the other
to watch for what might befall in the narrow compass of space lying
immediately in front of them. For a moment after they found their places
there was silence there in the cellar, save for the rustling of bodies
and the wheeze of forced breathing. Then a woman's voice was uplifted
wailingly: “Oh, this war! Why should it come back here again? Why
couldn't it leave us poor ones alone?”
“Hush, you!” snapped the blinded man in a voice of authority. “There are
men out there fighting for France. Hush and listen!”
Public-domain text, read in full here on John Shaqi.
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