Thoughts on Man, His Nature, Productions and Discoveries: Interspersed with Some Particulars Respecting the AuthorGodwin, William
Philosophy
Thoughts on Man, His Nature, Productions and Discoveries: Interspersed with Some Particulars Respecting the Author
Godwin, William
Human beings; Psychology -- Early works to 1850
It would be endless to adduce all the examples that might be found of
the caprices of fame. It has been one of the arts of the envious to set
up a contemptible rival to eclipse the splendour of sterling merit. Thus
Crowne and Settle for a time disturbed the serenity of Dryden. Voltaire
says, the Phaedra of Pradon has not less passion than that of Racine,
but expressed in rugged verse and barbarous language. Pradon is now
forgotten: and the whole French poetry of the Augustan age of Louis the
Fourteenth is threatened with the same fate. Hayley for a few years was
applauded as the genuine successor of Pope; and the poem of Sympathy
by Pratt went through twelve editions. For a brief period almost each
successive age appears fraught with resplendent genius; but they go out
one after another; they set, "like stars that fall, to rise no more."
Few indeed are endowed with that strength of construction, that should
enable them to ride triumphant on the tide of ages.
It is the same with conquerors. What tremendous battles have been
fought, what oceans of blood have been spilled, by men who were resolved
that their achievements should be remembered for ever! And now even
their names are scarcely preserved; and the very effects of the
disasters they inflicted on mankind seem to be swept away, as of no more
validity than things that never existed. Warriors and poets, the authors
of systems and the lights of philosophy, men that astonished the earth,
and were looked up to as Gods, even like an actor on the stage, have
strutted their hour, and then been heard of no more.
Books have the advantage of all other productions of the human head or
hand. Copies of them may be multiplied for ever, the last as good as
the first, except so far as some slight inadvertent errors may have
insinuated themselves. The Iliad flourishes as green now, as on the
day that Pisistratus is said first to have stamped upon it its present
order. The songs of the Rhapsodists, the Scalds, and the Minstrels,
which once seemed as fugitive as the breath of him who chaunted them,
repose in libraries, and are embalmed in collections. The sportive
sallies of eminent wits, and the Table Talk of Luther and Selden, may
live as long as there shall be men to read, and judges to appreciate
them.
But other human productions have their date. Pictures, however
admirable, will only last as long as the colours of which they are
composed, and the substance on which they are painted. Three or four
hundred years ordinarily limit the existence of the most favoured. We
have scarcely any paintings of the ancients, and but a small portion of
their statues, while of these a great part are mutilated, and various
members supplied by later and inferior artists. The library of Bufo is
by Pope described,
where busts of poets dead,
And a true Pindar stood without a head.
Public-domain text, read in full here on John Shaqi.
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