Deep in the heart of every English-speaking colonist is a chord which
responds to the name of the parent people as to no other; and the depth
of the emotion is curiously exemplified in the most insignificant
matters. That seemingly imbecile passion which causes Colonials to drag
down and retain as mementos the curtains of a bed on which a British
princeling has slept; the comic manner in which the average colonist
will gravely inquire of you on your return from Europe whether you
have "seen the Queen," and their solemnity in all matters pertaining
to ancient and almost worn-out English institutions, all have in them
an element radically different from that which would animate the
average home Englishman, were he to act in a like manner; an element
not to be found in the sycophant crowds which loll open-mouthed
about St. James's on the afternoon of a Drawing-room; and which is
radically distinct from the servility which bows before mere wealth
and success. The colonist is perhaps rather more inclined than others
to criticize mercilessly the princeling or dignitary sent out from
home (and does so very freely after his arrival, when his gilt has
worn off him); but behind the individual man lies something of which
he is the representative, and it is this which causes him to have for
the colonist a quite peculiar value. The enthusiasm he awakens is an
enthusiasm for an emblem, not a man; for the representative of English
nationality, not for the ruler. The difference between the feeling of
an Englishman in the colony and the Englishman at home, with regard
to all the insignia and emblems of the common national life, forces
itself strongly on the notice of one who visits England for the first
time. There is an absence of the element of passion and romance in the
"Man at Home's" way of viewing these things; the difference between
these attitudes being best compared by likening it to the difference
between the feelings of two men, one of whom remains in the house of
his parents and possesses it, the other of whom leaves it for ever.
If outside the house windows grows a great lilac tree, it is simply a
material part of the house he inhabits to the man who possesses it. As
long as the branches shade the window, or do not damage the walls, he
regards it with passive approval; when they begin to obstruct the view,
and the roots interfere with the foundations, he has not the slightest
remorse in lopping off the branches, or, if need be, uprooting the
whole tree; the whole house is still his, the tree he regards from the
utilitarian standpoint. On the other hand, to the man who has left the
home of his childhood and gone to a foreign land--if one should by any
chance send him a sprig from the old tree that grew before the windows,
he would wrap it up and carry it about buried in his breast--the
small sprig is an emblem to him of the old home which once was his,
and to which he is still bound by ties of affection, though severed
for ever by space.
Public-domain text, read in full here on John Shaqi.
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