Three Lancashire Plays: The Game; The Northerners; ZackBrighouse, Harold
General
Three Lancashire Plays: The Game; The Northerners; Zack
Brighouse, Harold
English drama -- 20th century; Lancashire (England) -- Drama; Political plays
Matthew. I'm talking to your father, Mr. Guy, and we've known each other
long enough to speak what's in our minds. You're a young man and the
young get used to changes quickly. You find machines a natural state
of things. I'll tell you how things were before the factories came and
progress got a hold over everything. I'd open yon door in a morning
and I'd see children playing in the fields. Where are the children now?
Driven into your factory at five in the morning pretty nigh as soon as
they can walk and thrashed with a cane to keep the poor little devils
awake when all the nature in them's crying out for sleep. I'd go into
a neighbour's cottage and I'd see a loom with a warp on it and a weaver
taking pride in his work. You've taken the work away from men and given
it to machines. And the worst is the machines don't care. You send out
miles of cloth for every inch we used to weave, and every yard you send
as full of faults as an egg of meat. It's that you've done with your
factories, young sir. You've broken the weaver's spirit and you've
killed the joy he used to take in honest craftsmanship. It's quality
that used to count and a man _'_ud think shame to himself to produce a
cloth that's full of weaving faults. There are no weavers now. They're
servants of a steam engine.
Guy. I'm sorry it upsets you, Mr. Butterworth, but facts are too much
for you. Hand looms are played out.
Matthew (_intensely convinced_). Never, while good workmanship endures.
If they want the best, they'll come to the handloom weaver for it.
Guy. Yes, but you see they don't want the best.
Matthew. They want designs that a man conceives in joy and executes with
pride. They want a cloth that shows he's taken pride in making it, and
knows it's his design and not a copy of another's.
Guy. We can sell a hundred pieces of the same design with as little
trouble as your one.
Matthew. And which _'_ull wear longest?
Guy. We don't want cloth to wear, we want it to sell.
Matthew (_dismissing him, sadly_). Mr. Guy, it's a hard thing to say
of your father's son, but I've a fear you're a godless youth. (_To
Ephraim._) What was it you wanted of me, Mr. Barlow?
Ephraim (_awkwardly_). You've made it rather hard to tell you that. I
didn't know you thought so badly of the factories. (_Turning._) Guy, I
think, perhaps----
Guy (_curtly_). No. If you won't speak out, I will.
(_Slight pause. Then Ephraim gives Guy leave by a glance._) We want you
to come into the factory, Butterworth.
Matthew (_startled_). I? In factory?
Guy. Yes.
Matthew. But----
Guy. You're the last man on our pay-sheets working out. We must have
uniformity. We want you in.
Matthew. You want me, Mr. Guy. I can see who _'_tis I have to thank for
this. It's you that have brought the old master here to stand by while
you say these things to me.
Public-domain text, read in full here on John Shaqi.
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