Italian drama -- Translations into English; Pirandello, Luigi, 1867-1936 -- Translations into English
BELCREDI. It doesn't matter at all! How does it alienate us?
They (_pointing to Frida and Di Nolli_) have still to do
what we have accomplished, doctor: to grow old, doing the
same foolish things, more or less, as we did.... This is the
illusion: that one comes forward through a door to life. It
isn't so! As soon as one is born, one starts dying;
therefore, he who started first is the most advanced of all.
The youngest of us is father Adam! Look there: (_pointing to
Frida_) eight hundred years younger than all of us--the
Countess Matilda of Tuscany. (_He makes her a deep bow_).
DI NOLLI. I say, Tito, don't start joking.
BELCREDI. Oh, you think I am joking?...
DI NOLLI. Of course, of course ... all the time.
BELCREDI. Impossible! I've even dressed up as a
Benedictine....
DI NOLLI. Yes, but for a serious purpose.
BELCREDI. Well, exactly. If it has been serious for the
others ... for Frida, now, for instance. (_Then turning to
the doctor_): I swear, doctor, I don't yet understand what
you want to do.
DOCTOR (_annoyed_). You'll see! Let me do as I wish.... At
present you see the Marchioness still dressed as....
BELCREDI. Oh, she also ... has to masquerade?
DOCTOR. Of course! of course! In another dress that's in
there ready to be used when it comes into his head he sees
the Countess Matilda of Canossa before him.
FRIDA (_while talking quietly to Di Nolli notices the
doctor's mistake_). Of Tuscany, of Tuscany!
DOCTOR. It's all the same!
BELCREDI. Oh, I see! He'll be faced by two of them....
DOCTOR. Two, precisely! And then....
FRIDA (_calling him aside_). Come here, doctor! Listen!
DOCTOR. Here I am! (_Goes near the two young people and
pretends to give some explanations to them_).
BELCREDI (_softly to Donna Matilda_). I say, this is getting
rather strong, you know!
DONNA MATILDA (_looking him firmly in the face_). What?
BELCREDI. Does it really interest you as much as all
that--to make you willing to take part in...? For a woman
this is simply enormous!...
DONNA MATILDA. Yes, for an ordinary woman.
BELCREDI. Oh, no, my dear, for all women,--in a question
like this! It's an abnegation.
DONNA MATILDA. I owe it to him.
BELCREDI. Don't lie! You know well enough it's not hurting
you!
DONNA MATILDA. Well then, where does the abnegation come in?
BELCREDI. Just enough to prevent you losing caste in other
people's eyes--and just enough to offend me!...
DONNA MATILDA. But who is worrying about you now?
DI NOLLI (_coming forward_). It's all right. It's all right.
That's what we'll do! (_Turning towards Berthold_): Here
you, go and call one of those fellows!
BERTHOLD. At once! (_Exit_).
Public-domain text, read in full here on John Shaqi.
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