Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; WasteGranville-Barker, Harley
General
Three Plays by Granville-Barker: The Marrying of Ann Leete; The Voysey Inheritance; Waste
Granville-Barker, Harley
English drama
ETHEL. Yes, I think that a cheque will give most scope to your
generosity. Of course, if you desire to add any trimmings in the shape
of a piano or a Turkey carpet you may . . and Denis and I will be very
grateful. But I think I'd let yourself go over a cheque.
MR. VOYSEY. You're a minx.
ETHEL. What is the use of having money if you don't spend it on me?
MAJOR BOOTH VOYSEY. [_giving up the cigar search._] Here, who's going to
play?
MR. GEORGE BOOTH. [_pathetically as he gets up._] Well, if my wrist will
hold out . .
MAJOR BOOTH VOYSEY. [_To_ TREGONING.] No, don't you bother to look for
them. [_He strides from the room, his voice echoing through the hall._]
Honor, where are those Ramon Allones?
ALICE. [_calling after._] She's in the drawing-room with Auntie and Mr.
Colpus.
MR. VOYSEY. Now I should suggest that you and Denis go and take off the
billiard table cover. You'll find folding it up is a very excellent
amusement.
_He illustrates his meaning with his table napkin and by putting
together the tips of his forefingers, roguishly._
ETHEL. I am not going to blush. I do kiss Denis . . occasionally . .
when he asks me.
MR. GEORGE BOOTH. [_teasing her._] You are blushing.
ETHEL. I am not. If you think we're ashamed of being in love, we're not,
we're very proud of it. We will go and take off the billiard table cover
and fold it up . . and then you can come in and play. Denis, my dear,
come along solemnly and if you flinch I'll never forgive you. [_she
marches off and reaches the door before her defiant dignity breaks down;
then suddenly_--] Denis, I'll race you.
_And she flashes out._ DENIS, _loyal, but with no histrionic instincts,
follows her rather sheepishly_.
DENIS. Ethel, I can't after dinner.
MR. VOYSEY. Women play that game better than men. A man shuffles through
courtship with one eye on her relations.
_The Major comes stalking back, followed in a fearful flurry by his
elder sister_, HONOR. _Poor_ HONOR [_her female friends are apt to refer
to her as Poor_ HONOR] _is a phenomenon common to most large families.
From her earliest years she has been bottle washer to her brothers.
While they were expensively educated she was grudged schooling; her
highest accomplishment was meant to be mending their clothes. Her fate
is a curious survival of the intolerance of parents towards her sex
until the vanity of their hunger for sons had been satisfied. In a less
humane society she would have been exposed at birth. But if a very
general though patronising affection, accompanied by no consideration at
all, can bestow happiness_, HONOR _is not unhappy in her survival. At this
moment, however, her life is a burden._
MAJOR BOOTH VOYSEY. Honor, they are not in the dining-room.
HONOR. But they must be!--Where else can they be?
_She has a habit of accentuating one word in each sentence and often the
wrong one._
MAJOR BOOTH VOYSEY. That's what you ought to know.
MR. VOYSEY. [_as he moves towards the door._] Well . . will you have a
game?
Public-domain text, read in full here on John Shaqi.
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