Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.Flaubert, Gustave
General
Three short works: The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul.
Flaubert, Gustave
France -- Social life and customs -- Fiction
In church, she always gazed at the Holy Ghost, and noticed that
there was something about it that resembled a parrot. The likeness
appeared even more striking on a coloured picture by Espinal,
representing the baptism of our Saviour. With his scarlet wings
and emerald body, it was really the image of Loulou. Having bought
the picture, she hung it near the one of the Comte d'Artois so
that she could take them in at one glance.
They associated in her mind, the parrot becoming sanctified
through the neighbourhood of the Holy Ghost, and the latter
becoming more lifelike in her eyes, and more comprehensible. In
all probability the Father had never chosen as messenger a dove,
as the latter has no voice, but rather one of Loulou's ancestors.
And Félicité said her prayers in front of the coloured picture,
though from time to time she turned slightly toward the bird.
She desired very much to enter in the ranks of the "Daughters of
the Virgin." But Madame Aubain dissuaded her from it.
A most important event occurred: Paul's marriage.
After being first a notary's clerk, then in business, then in the
customs, and a tax collector, and having even applied for a
position in the administration of woods and forests, he had at
last, when he was thirty-six years old, by a divine inspiration,
found his vocation: registrature! and he displayed such a high
ability that an inspector had offered him his daughter and his
influence.
Paul, who had become quite settled, brought his bride to visit his
mother.
But she looked down upon the customs of Pont-l'Evêque, put on
airs, and hurt Félicité's feelings. Madame Aubain felt relieved
when she left.
The following week they learned of Monsieur Bourais' death in an
inn. There were rumours of suicide, which were confirmed; doubts
concerning his integrity arose. Madame Aubain looked over her
accounts and soon discovered his numerous embezzlements; sales of
wood which had been concealed from her, false receipts, etc.
Furthermore, he had an illegitimate child, and entertained a
friendship for "a person in Dozulé."
These base actions affected her very much. In March, 1853, she
developed a pain in her chest; her tongue looked as if it were
coated with smoke, and the leeches they applied did not relieve
her oppression; and on the ninth evening she died, being just
seventy-two years old.
People thought that she was younger, because her hair, which she
wore in bands framing her pale face, was brown. Few friends
regretted her loss, for her manner was so haughty that she did not
attract them. Félicité mourned for her as servants seldom mourn
for their masters. The fact that Madame should die before herself
perplexed her mind and seemed contrary to the order of things, and
absolutely monstrous and inadmissible. Ten days later (the time to
journey from Besançon), the heirs arrived. Her daughter-in-law
ransacked the drawers, kept some of the furniture, and sold the
rest; then they went back to their own home.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account