Three Years in the Federal CavalryGlazier, Willard W.
History
Three Years in the Federal Cavalry
Glazier, Willard W.
United States -- History -- Civil War, 1861-1865 -- Personal narratives
With the battle of Fredericksburg terminated the campaign of 1862, and
the two great armies established their winter quarters facing each other
along the line of the Rappahannock. Our camps extend for several miles
along the northern shore above and below Falmouth, and the enemy occupy
the south bank above and below the Heights of Fredericksburg. Indeed,
nearly the whole territory between the Rappahannock and the Defences of
Washington, a dark, forsaken, wilderness region, with only here and
there a plantation or a village, was soon converted into a vast camping
ground, and became the most populous section of Virginia.
To avoid the distant transportation of forage, the greater portion of
the cavalry is encamped near Belle Plain, where government transports
land with supplies from Washington. The Harris Light has established its
camp on the Belle Plain and Falmouth Turnpike, about four miles from the
former place, and has named it "Bayard," in honor of our lamented
commander, whose fall at Fredericksburg is still a subject of universal
sorrow.
It is wonderful to witness how the forests are disappearing in and
around our camps. From morning till night the chopmen's axes resound
from camp to camp, echoing dolefully along the river-shore and far back
into the dense, dark woods. Soon after the battle of Fredericksburg, as
we had no quarters, and nothing but worn and torn shelter-tents, our
only way to prevent freezing at night was to cut and heap together a
large number of logs, which, though green, when fully ignited made a
rousing fire. These fires, numerously built in rows throughout the
streets of our camps, presented, especially at night, a most beautiful
and lively scene. The few trees which still remained as shelters were
generally lighted up by our fires into grand chandeliers, reflecting
upon our white tents a weird light of gold and green, which might have
furnished the pen of the romancer, and the pencil of the artist, their
most interesting plots and designs.
Public-domain text, read in full here on John Shaqi.
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