When men look back, two or three hundred years hence, upon the nineteenth century, it may well be that they will discern its salient characteristic to have been, not scientific, not inventive, as we popularly suppose, but _romantic_. Science will soon bury our present heaps of facts under larger accumulations, from the summit of which broader theories may be scanned; to-morrow will make to-day’s wonderful invention old-fashioned and insufficient: but the romance with which this later time has been charged will exercise an increasing fascination over poets and novelists and historians, as the years roll on. Oblivion swallows up material achievements, but great deeds never grow old. That many of our writers should not have heard this note of the age argues that they, rather than the age, are prosaic and commonplace. For to what other period shall we turn for a richer store of those vicissitudes and contrasts in fortune which make up the real romance, the profound tragedy, of life? Everywhere the dissolution of a society rooted in mediæval traditions is accompanied by confusion and struggle,--the birth-pangs of a new order. Classes whose separation seemed permanent are thrown together, and antagonistic elements are strangely mixed; there is strife, and doubt, and excess; sudden combinations are suddenly rent by discords; anachronisms flourish side by side with innovations; new institutions wear old names, and old abuses mask in new disguises. In such a crisis, two facts are prominent: the unusual range of activity offered to the individual--may he not traverse the whole scale of experience?--and the dependence of the individual upon himself. He rises, or he falls, by his own motion. The privileges of caste avail nothing; for the very confusion produces a certain wild equality, whereby all start at the line, and the swiftest wins. Napoleon’s maxim, _La carrière ouverte aux talents_, is the motto of the century. Napoleon himself is an epochal illustration of the power of the individual to make the momentum of circumstances work for him. The Revolution, it is true, had harnessed the steeds; but Napoleon dared to mount the chariot, grasped the reins, and drove over Europe, upsetting thrones and princedoms and hierarchies. The haughty descendants of immemorial lineage gave place to the brothers and comrades of the “Corsican upstart.” Murat, the son of a tavern-keeper; Ney, a briefless law-student; Lannes, a dyer; Soult, Masséna, Berthier, Junot, soldiers of fortune; and how many other children of the Third Estate,--laughed at the pretensions of humbled Bourbons, Hapsburgs, and Hohenzollerns! Frequent reactions between revolution and restoration serve to emphasize the stress of this crisis; and these contrasts in the conditions of men, revealing human character under the most diverse phases, show how inextricably the romantic and the tragic are interwoven in the average lot.