Through the Dark Continent, Vol. 1 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic OceanStanley, Henry M. (Henry Morton)
History
Through the Dark Continent, Vol. 1 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic Ocean
Stanley, Henry M. (Henry Morton)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904 -- Travel -- Africa, Central
From our easy-chairs on the roof we can see the massive building
occupied formerly by the Universities Mission, and now the residence of
Captain Prideaux, Acting British Consul and Political Resident, whose
acquaintance I first made soon after his release from Magdala in 1868.
This building stands upon the extremity of Shangani Point, and the first
line of houses which fronts the beach extends northerly in a gentle
sweep, almost up to Livingstone’s old residence on the other side of
Malagash inlet.
During the day the beach throughout its length is alive with the moving
figures of hamals, bearing clove and cinnamon bags, ivory, copal and
other gums, and hides, to be shipped in the lighters waiting along the
water’s edge, with sailors from the shipping, and black boatmen
discharging the various imports on the sand. In the evening the beach is
crowded with the naked forms of workmen and boys from the “go-downs,”
preparing to bathe and wash the dust of copal and hides off their bodies
in the surf. Some of the Arab merchants have ordered chairs on the
piers, or bunders, to chat sociably until the sun sets, and prayer time
has come. Boats hurry by with their masters and sailors returning to
their respective vessels. Dhows move sluggishly past, hoisting as they
go the creaking yards of their lateen sails, bound for the mainland
ports. Zanzibar canoes and “matepes” are arriving with wood and produce,
and others of the same native form and make are squaring their mat
sails, outward bound. Sunset approaches, and after sunset silence
follows soon. For as there are no wheeled carriages with the eternal
rumble of their traffic in Zanzibar, with the early evening comes early
peace and rest.
The intending explorer, however, bound for that dark edge of the
continent which he can just see lying low along the west as he looks
from Zanzibar, has thoughts at this hour which the resident cannot
share. As little as his eyes can pierce and define the details in that
gloomy streak on the horizon, so little can he tell whether weal or woe
lies before him. The whole is buried in mystery, over which he ponders,
certain of nothing but the uncertainty of life. Yet will he learn to
sketch out a comparison between what he sees at sunset and his own
future. Dark, indeed, is the gloom of the fast-coming night over the
continent, but does he not see that there are still bright flushes of
colour, and rosy bars, and crimson tints, amidst what otherwise would be
universal blackness? And may he not therefore say—“As those colours now
brighten the darkening west, so my hopes brighten my dark future”?
[Illustration: A HOUSE AT ZANZIBAR.]
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# 3:
Wangwana (freed negroes).
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
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