Through the Dark Continent, Vol. 2 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic OceanStanley, Henry M. (Henry Morton)
History
Through the Dark Continent, Vol. 2 (of 2) : $b or, The sources of the Nile around the Great Lakes of Equatorial Africa and down the Livingstone River to the Atlantic Ocean
Stanley, Henry M. (Henry Morton)
Africa, Central -- Description and travel; Stanley, Henry M. (Henry Morton), 1841-1904 -- Travel -- Africa, Central
From the day we cross the watershed that divides the affluent of the
Tanganika from the head waters of the Luama, there is observed a gradual
increase in the splendour of nature. By slow degrees she exhibits to us,
as we journey westward, her rarest beauties, her wealth and all the
profligacy of her vegetation. In the forests of Miketo and on the
western slopes of the Goma mountains she scatters with liberal hand her
luxuries of fruits, and along the banks of streams we see revealed the
wild profusion of her bounties.
As we increase the distance from the Tanganika, we find the land
disposed in graceful lines and curves: ridges heave up, separating
valley from valley, hills lift their heads in the midst of the basins,
and mountain-ranges, at greater distances apart, bound wide prospects,
wherein the lesser hill-chains, albeit of dignified proportions, appear
but as agreeable diversities of scenery.
Over the whole, Nature has flung a robe of verdure of the most fervid
tints. She has bidden the mountains loose their streamlets, has
commanded the hills and ridges to bloom, filled the valleys with
vegetation breathing perfume, for the rocks she has woven garlands of
creepers, and the stems of trees she has draped with moss; and sterility
she has banished from her domain.
Yet Nature has not produced a soft, velvety, smiling England in the
midst of Africa. Far from it. She is here too robust and prolific. Her
grasses are coarse, and wound like knives and needles; her reeds are
tough and tall as bamboos; her creepers and convolvuli are of cable
thickness and length; her thorns are hooks of steel; her trees shoot up
to a height of a hundred feet. We find no pleasure in straying in search
of wild flowers, and game is left undisturbed, because of the difficulty
of moving about, for once the main path is left we find ourselves over
head amongst thick, tough, unyielding, lacerating grass.
At Manyema, the beauty of Nature becomes terrible, and in the expression
of her powers she is awful. The language of Swahili has words to paint
her in every mood. English, rich as it is, is found insufficient. In the
former we have the word Pori for a forest, an ordinary thickly wooded
tract, but for the forests of Manyema it has four special words, Mohuro,
Mwitu, Mtambani, and Msitu. For Mohuro we might employ the words jungly
forest; for Mwitu, dense woods; but for Msitu and Mtambani we have no
single equivalent, nor could we express their full meaning without a
series of epithets ending with “tangled jungle” or “impervious underwood
in the midst of a dense forest”—for such is in reality the nature of a
Manyema Msitu.
I am of opinion that Manyema owes its fertility to the mountains west of
the Tanganika, which by their altitude suddenly cool and liquefy the
vapours driven over their tops by the south-east monsoon, for while
Uguha west was robed in green, its lake front was black with the ashes
of burnt grass.
Public-domain text, read in full here on John Shaqi.
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