But in the composition of a history an author must also keep a sharp
look-out upon this point, that it shall not only hit and betray no real
persons, but also no false ones, and in fact nobody at all. Before I, e.
g., choose a name for a bad prince, I must look through the genealogical
index of all governing and governed families, in order not to use a name
which some person or other already bears; thus, in Otaheite, even the
words which sound like the name of the king are abolished after his
coronation, and supplied by others. Now, as I was formerly acquainted
with no living courts at all, I was not in a situation, when preparing
the battle-pieces and night-pieces which I painted of the Cabals, the
Egoism, and the Libertinism of biographical courts, to succeed in
skilfully avoiding every resemblance to real ones; yes, for such an
idiot as I, it was a miserable help, even, to be often laying
Machiavelli open before me, in order, with the assistance of the French
history, by painting from the two, to turn off the edge of the
application at least upon countries in which no Frenchman or Italian
ever had the influence that is generally attributed to both of them upon
other Germans; just as Herder, in opposition to those naturalists who
derive certain misshapen tribes of men from a half-parentage of apes,
makes the very good remark that most of the resemblances to apes--the
retreating skull of the Calmucks, the prominent ears of the Pevas, the
slender hands in Carolina--appear just in those countries where there
are no apes at all. Formerly, then, as was said, striking unlikenesses I
could not succeed in hitting; now, on the contrary, every court around
which my legation-flotilla coasts is well known to me, and therefore
secure from accidental resemblances, particularly every one which I
describe,--that of Flachsenfingen, that of Hohenfliess, &c. The
theatrical mask which I have on in my works is not the mask of the Greek
comedian, which was embossed after the face of the individual
satirized,[25] but the mask of Nero, which, when he acted a goddess on
the stage, looked like his mistress,[26] and when he acted a god, like
himself.
Enough! This digressive introductory programme has been somewhat long,
but the Jubilee-period was so, too: the longer the St. John's day of a
country, the longer its St. Thomas's night. And now let us dance along
together into the book,--into this free ball of the world,--I first as
leader in the dance, and then the readers as hop-dancers after me; so
that, amidst the sounding baptismal and funeral bells in the Chinese
house of this world-building,--welcomed by the singing-school of the
muses,--serenaded from on high by the guitar of Phœbus,--we may dance
gayly from Tome to Tome, from Cycle to Cycle, from one digression to
another, from one dash to another,--till either the work comes to an
end, or the workman, or everybody!
FOOTNOTES:
[21] _Querbank_,--Bench for Protestant Bishops in the Germanic
Diet.
Public-domain text, read in full here on John Shaqi.
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