Tokyo to Tijuana: Gabriele Departing AmericaSills, Steven David Justin
General
Tokyo to Tijuana: Gabriele Departing America
Sills, Steven David Justin
Fiction
The previous day he was crying in part from the cold and the need to be
suckled. And she did suckle him occasionally although, less euphemistically,
she saw it as him being allowed to devour her. She did this to pass on her
nutrients and antibodies, although giving milk and having a child use her for
her tit repulsed and stiffened her posture at times like a soldier at a machine
gun in a trench and at other times like a soldier in a queue waiting for
inspection. This act more than any other was a reminder of the fact that she
was a bit like all other women: a female animal there to be bred and to nurture
the continuum of her breed. She fed him and dressed him even more warmly, then,
but it was to no avail. Lacking options, she repelled her repulsion toward the
rock-a-by song by telling herself that it was the collective culture in the
earliest of all primitive American, if not western minds, and so inescapable in
a sense. On that day she brought herself to hum a few bars while rocking him
according to the melody of the song; but he frowned and looked at her
skeptically if babies were capable of skepticism, and so she had to speed up
the movement. The faster and harder she rocked him the more he seemed to enjoy
it, baby-laughing that one monotone squeal and slobbering all over her. At that
time of such Pavlovian drooling she wondered to herself belatedly if having him
there to seize her day was worthwhile but the squealing gave her a sense that
it was. This roller-rocking of her arms was at first enjoyable because his
squeals of euphoria were delightful to listen to but soon she found them to be
a tiring repetition and so she gently tossed him back into the crib which
inadvertently caused him to cry once again.
This was a new approach following a few minutes of having him "swig [his]
bottle." "Unlike present day Ithaca, in the land of Ancient Atlantis," she read
after raising the baby up to the tray like a cold piece of meat and then
squashing the insect into her composition, "there was harmony;" and even when
he "puked"-she would never say 'spit-up' because it was not so--she recited a
few paragraphs of what she had written while the vomit seeped into her
bathrobe. Her bold attempt to be indifferent to such an inauspicious start to
the morning was becoming a poorly constructed fa?ade for her determination was
crumbling like a desiccating sand castle. The smell of the vomit and all of the
baby smells bothered her. As her body fidgeted, which in turn caused the cat to
bury itself behind the lowest area of the bookshelf (although this time
avoiding the tripping on a ceramic dish) she contemplated this euphemism,
"spit-up." The term didn't matter in public, she argued; but to oneself, she
thought, one had to be honest. Puke was puke, and she had a tale to tell, and
her child needed to listen and she needed to resist shoving her child back into
the crib to change out of her bathrobe.
Public-domain text, read in full here on John Shaqi.
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