Frontier and pioneer life -- Fiction; Miners -- Fiction; San Francisco (Calif.) -- Fiction; Singers -- Fiction
The gray twilight settled early, and Mariposa, dropping the curtain,
turned to the room behind her. The light of a small fire and a shaded
lamp sent a softened glow over the apartment, which, despite its
poverty, bespoke the taste of gentlewomen in the simple prettiness of
its furnishings. The nurse, a middle-aged woman of a kindly and capable
aspect, sat by the fire in a wicker rocking-chair, reading a paper.
Beside her, on a table, stood the sick-room paraphernalia of glasses
and bottles. The regular creak of the rocking-chair, and an occasional
snap from the fire, were the only sounds that punctuated the steady
drumming of the rain on the tin roof.
A Japanese screen was half-way about the bed, shutting it from the
drafts of the door, and in its shelter Lucy lay sleeping her light,
breathless sleep. In this shaded light, in the relaxed attitude of
unconsciousness, she presented the appearance of a young girl hardly
older than her daughter. Yet the hand of death was plainly on her, as
even Mariposa could now see.
Without sound the girl passed from the room to her own beyond. Her
grief had seized her, and the truth, fought against with the desperate
inexperience of youth, forced itself on her. She threw herself on her
bed and lay there battling with the sickness of despair that such
knowledge brings. Twilight faded and darkness came. In answer to the
servant’s tap on the door, and announcement of dinner, she called
back that she desired none. The room was as dark about her as her own
thoughts. From the door that led into the sick chamber, only partly
closed, a shaft of light cut the blackness, and on this light she
fastened her eyes, swollen with tears, feeling herself stupefied with
sorrow.
As she lay thus on the bed, she heard the creaking of the wicker-chair
as the nurse arose, then came the clink of the spoon and the glass, and
the woman’s low voice, and then her mother’s, stronger and clearer than
it had been for some days. There was an interchange of remarks between
nurse and patient, the sound of careful steps, and the crack of light
suddenly expanded as the door was opened. Against this background,
clear and smoothly yellow as gold leaf, the nurse’s figure was revealed
in sharp silhouette.
“Are you there, Miss Moreau?” she said in a low voice. Mariposa started
with a hurried reply.
“Well, your mother wants to see you and you’d better come. Her mind
seems much clearer and it may not be so again.”
The girl rose from the bed trying to compose her face. In the light of
the open door the woman saw its distress and looked at her pityingly.
“Don’t tire her,” she said, “but I advise you to say all you have to
say. She may not be this way again.”
Mariposa crossed the room to the bed. Her mother was lying on her side,
pinched, pale and with darkly circled eyes.
“Have you just waked up, darling?” said the girl, tenderly.
Public-domain text, read in full here on John Shaqi.
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