Her mother, who was given over to religious forms, who was ritualistic
and sentimental as well as really devout and fervent, at first gained
the ascendancy over Catherine. Holy but narrow-minded, she compressed
the girl's naturally expansive temperament, and taught her something of
the hideous and brooding melancholy of the bigot and the fanatic. Then
the father, quick-sighted, and roused to an almost angry activity by his
appreciation of Catherine's danger, threw himself into the combat, and
endeavoured to imbue the girl with his own comprehension of life's
meaning, exaggerating all his theories in the endeavour to make them
seem sufficiently vital and impressive. Catherine lived in the centre of
this battle, which became continually more fierce, until she was
eighteen. Then she fell in love with Mark Sirrett, married him, and left
her parents alone with their mutual hostility, now complicated by a sort
of paralysis of surprise and sense of mutual failure. They had forgotten
that their child's future might hold a lover, a husband. Now they found
themselves in the rather absurd position of enemies who have quarrelled
over a shadow which suddenly vanishes away. They had lost their love for
each other, they had lost Catherine. But her soul, though it was given
to Mark Sirrett, had not lost their impress. Both the Puritanism of her
mother and the paganism of her father were destined to play their parts
in the guidance of her strange and terrible destiny.
Mark Sirrett, when he married Catherine, was twenty-five, dark,
handsome, warm-hearted and rich. It seemed that he had an exceptionally
sweet and attractive nature. He had been an affectionate son, a kind
brother in his home, a generous comrade at school and college. Everybody
had a good word for him; his family, his tutors, his friends, his
servants. Like most young and ardent men he had had some follies. At
least they were never mean or ungenerous. He entered upon married life
with an unusually good record. Those who knew him casually, even many
who knew him well, considered that he was easily read, that he was
transparently frank, that, though highly intelligent, he was not
particularly subtle, and that no still waters ran deep in Mark Sirrett.
All these people were utterly wrong. Mark had a very curious side to his
nature, which remained almost unsuspected until after his marriage with
Catherine, but which eventually was to make a name very well known to
the world. He was, although apparently so open, in reality full of
reserve. He was full of ambition. And he had an exceptionally peculiar,
and exceptionally riotous, imagination. And this imagination he was
quite determined to express in an art--the art of literature. But his
reserve kept him inactive until he had left Oxford, when he went to live
in London, where eventually he met Catherine.
Public-domain text, read in full here on John Shaqi.
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