Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
As the curtain rises, Punch is heard behind the scenes trolling the
French ballad 'Malbrooke s'en va-t-en guerre,' and presently appears
dancing, and in high good humour, and in droll verses tells the
spectators what manner of humour he is of. He calls himself a gay merry
fellow, who loves to give a joke, but is not very ready to take one; and
if he is ever gentle, it is only towards the fair sex. With his money he
is frank and free; and his grand object is to laugh his whole life long,
and to grow as fat as he can. He declares himself a great admirer and
seducer of the girls, and, as long as he can get it, a friend of good
cheer; when he cannot, however, he can live on cheese-parings, and if he
die--why then there's no more to be said, than that's all over, and
there's an end of Punch and the play. (This latter avowal unquestionably
smells a little of atheism.)
After this monologue, he calls behind the scene for Judy, his young
wife, who will not come, but at last sends her dog instead. Punch
strokes and caresses him, but the spiteful cur seizes him by the nose,
and holds him fast, till after a laughable fight, and various rough
jokes of the not too discreet Punch, he at last beats off the dog and
gives him a sound drubbing.
His neighbour Scaramouch, hearing the noise, here enters with a large
stick, and calls Punch to account why he beat Judy's favourite dog,
"that _never_ bit anybody." "And I _never_ beat a dog," replied Punch;
"but," continues he, "what have you there in your hand, my dear
Scaramouch?" "Oh, nothing but a fiddle; will you hear the tone of it? Do
but come and hear what a fine instrument it is." "Thank ye, thank ye, my
good Scaramouch," replies Punch modestly, "I can distinguish the tone of
it very well here." Scaramouch, however, is not to be so put off, and
while he dances about to the sound of his own singing, and flourishes
his stick, he gives Punch, as if by accident, a great knock on the head.
Punch affects not to heed it, but begins to dance too, and watching his
opportunity suddenly snatches the stick out of Scaramouch's hand, and in
a trice gives him such a blow with it that poor Scaramouch's head rolls
down at his feet,--for where Punch lays about him the grass does not
grow. "Ha! ha!" cries he, laughing, "did you hear the fiddle, my good
Scaramouch? What a fine tone it has! As long as you live, my lad, you'll
never hear a finer. But where is my Judy? My sweet Judy, why don't you
come."
Public-domain text, read in full here on John Shaqi.
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