In the centre of the House of Lords were assembled the Peers, their scarlet mantles negligently thrown over their ordinary morning dress. Near the wall opposite to the entrance stood the King's throne; on benches on the left sat a number of ladies in full dress; on the right the diplomatic corps and foreigners. In front of the throne was a bar, and behind it the members of the Lower House, in the common dress of our day. The house without, and the staircase, were filled with servants and heralds in the costume of the fourteenth century. At two o'clock discharges of cannon announced the arrival of the King in state. A number of magnificent carriages and horses composed the procession, a sketch of which I have taken in my book of reminiscences,[28] and have placed it in contrast with a drawing of one of Cæsar's triumphs. At the sight of these pictures one involuntarily asks oneself, whether mankind have really made any progress. Scarcely, as it seems, in as far as art is concerned; especially when we look at the two prominent personages,--those who occupy the highest seats at the respective ceremonies,--the King's body-coachman, and Cæsar. At about half-past three the King made his appearance, he alone being in full dress, and truly covered from top to toe with the ancient kingly decorations; with the crown on his head and the sceptre in his hand. He looked pale and bloated, and was obliged to sit on the throne for a considerable time before he could get breath enough to read his speech. During this time he turned friendly glances and considerable bows towards some favoured ladies. On his right stood Lord Liverpool, with the sword of state and the speech in his hand; and the Duke of Wellington on his left. All three looked so miserable, so ashy-gray and worn out, that never did human greatness appear to me so little worth; indeed the tragic side of all the comedies we play here below, fell almost heavily on my heart; and yet it excited in me a strong feeling of the comic, to see how the most powerful monarch of the earth was obliged to present himself, as chief actor in a pantomime, before an audience whom he deems so infinitely beneath him. In fact, the whole pageant, including the King's costume, reminded me strikingly of one of those historical plays which are here got up so well; nothing was wanting but the 'flourish of trumpets' which accompanies the entrance and exit of one of Shakspeare's kings, to make the illusion complete. In spite of his feebleness, George the Fourth read the 'banale' speech with great dignity and a fine voice; but with that royal 'nonchalance' which does not much concern itself what His Majesty promises, or whether or not he is sometimes unable to decipher a word. It was very evident that the monarch was heartily glad when the 'corvée' was over, so that the conclusion went off somewhat more rapidly than the beginning.