This violent struggle for the perpetuation of our name extends backwards into the past, just as it aspires to conquer the future; we contend with the dead because we, the living, are obscured beneath their shadow. We are jealous of the geniuses of former times, whose names, standing out like the landmarks of history, rescue the ages from oblivion. The heaven of fame is not very large, and the more there are who enter it the less is the share of each. The great names of the past rob us of our place in it; the space which they fill in the popular memory they usurp from us who aspire to occupy it. And so we rise up in revolt against them, and hence the bitterness with which all those who seek after fame in the world of letters judge those who have already attained it and are in enjoyment of it. If additions continue to be made to the wealth of literature, there will come a day of sifting, and each one fears lest he be caught in the meshes of the sieve. In attacking the masters, irreverent youth is only defending itself; the iconoclast or image-breaker is a Stylite who erects himself as an image, an _icon_. "Comparisons are odious," says the familiar adage, and the reason is that we wish to be unique. Do not tell Fernandez that he is one of the most talented Spaniards of the younger generation, for though he will affect to be gratified by the eulogy he is really annoyed by it; if, however, you tell him that he is the most talented man in Spain--well and good! But even that is not sufficient: one of the worldwide reputations would be more to his liking, but he is only fully satisfied with being esteemed the first in all countries and all ages. The more alone, the nearer to that unsubstantial immortality, the immortality of the name, for great names diminish one another.