This event, like all great revolutions, did not fail to give sad
umbrage to many in the church; and as to Deacon Dogskin, who had
fought as the great champion of the primitive system, he took it
in such dudgeon that he fell into a fit of the sullens, which
resulted in a determination to leave a community where his
opinion and authority had been so flagrantly set at nought.
Within two years, therefore, he sold off his farm, settled all
his concerns both temporal and spiritual in the town, and
removed to a village about fifteen miles distant. His ostensible
motive for the removal was his declining age, which he declared
to be unequal to the cultivation of so large a farm as he
possessed in our neighbourhood; but the true reason was guessed
at by every one, as the Deacon could never speak of the
singing-school without evident marks of chagrin.
Be this as it may, we proceeded to organise the singing-school
forthwith, for it was determined to do things in style. First of
all, it was necessary to find a singing-master who was competent
to instruct us theoretically in the principles of the art, and
put us to the full discipline of our powers. No one, of course,
thought of going out of the town for this, and our directors
shortly pitched upon a personage known to every body by the name
of Hopper Paul. This man knew more tunes than any person within
twenty miles, and, for aught we knew, more than any other man in
the world. He could sing Old Hundred, and Little Marlborough,
and Saint Andrews, and Bray, and Mear, and Tanzar, and Quercy,
and at least half a dozen others whose names I have forgotten,
so that he was looked upon as a musical prodigy.
I shall never forget Hopper Paul, for both the sounds and sights
he exhibited were such as could hardly be called earthly. He was
about six feet and a half high, exceedingly lank and long, with
a countenance which at the first sight would suggest to you the
idea that he had suffered a _face-quake_, for the different
parts of his visage appeared to have been shaken out of their
places and never to have settled properly together. His mouth
was capable of such a degree of dilation and collapse and
twisting, that it looked like a half a dozen pair of lips sewed
into one. The voice to which this comely pair of jaws gave
utterance might have been compared to the lowing of a cow, or
the deepest bass of an overgrown bull-frog, but hardly to any
sound made by human organs.
Public-domain text, read in full here on John Shaqi.
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