The Lamasery of Kounboum, indeed, enjoys so high a reputation, that the worshippers of Buddha resort thither in pilgrimage from all parts of Tartary and Thibet, so that not a day passes in which there are not pilgrims arriving and departing. Upon the great festivals, the congregation of strangers is immense, and there are four of these in the year, the most famous of all being the Feast of Flowers, which takes place on the fifteenth day of the first moon. Nowhere is this festival celebrated with so much pomp and solemnity as at Kounboum. Those which take place in Tartary, in Thibet, and even at Lha-Ssa itself, are not at all comparable with it. We were installed at Kounboum on the sixth of the first moon, and already numerous caravans of pilgrims were arriving by every road that led to the Lamasery. The festival was in every one’s mouth. The flowers, it was said, were this year of surpassing beauty; the Council of the Fine Arts, who had examined them, had declared them to be altogether superior to those of preceding years. As soon as we heard of these marvellous flowers, we hastened, as may be supposed, to seek information respecting a festival hitherto quite unknown to us. The following are the details with which we were furnished, and which we heard with no little curiosity:— The flowers of the fifteenth of the first moon consist of representations, profane and religious, in which all the Asiatic nations are introduced with their peculiar physiognomies and their distinguishing costumes. Persons, places, apparel, decorations—all are formed of fresh butter. Three months are occupied in the preparations for this singular spectacle. Twenty Lamas, selected from among the most celebrated artists of the Lamasery, are daily engaged in these butter-works, keeping their hands all the while in water, lest the heat of the fingers should disfigure their productions. As these labours take place chiefly in the depth of the winter, the operators have much suffering to endure from the cold. The first process is thoroughly to knead the butter, so as to render it firm. When the material is thus prepared, the various portions of the butter work are confided to various artists, who, however, all alike work under the direction of a principal who has furnished the plan of the flowers for the year, and has the general superintendence of their production. The figures, etc., being prepared and put together, are then confided to another set of artists, who colour them, under the direction of the same leader. A museum of works in butter seemed to us so curious an idea, that we awaited the fifteenth of the moon with somewhat of impatience.