She sat down on a chair, and pressed her hands upon her bosom to still
its beating. Her suspense and agitation were terrible. A sensitive
nature, such as Mrs. Chattaway's, feels emotion in a most painful
degree. Every sense was strung to its utmost tension. She listened for
Rupert's footfall outside; waited with a sort of horror for the ringing
of the house-bell announcing his arrival, her whole frame sick and
faint.
At last one came running up the avenue at a fleet pace, and the echoes
of the bell were heard resounding through the house.
Not daring to defy her husband by going down to let him in she knocked
at his door and entered.
"Shall I go down and open the door, James?"
"No."
"It is only five minutes past the half-hour."
"Five minutes are the same in effect as five hours," answered Mr.
Chattaway. "Unless he can be in before the half-hour, _he does not come
in at all_."
"It may be Cris," she resumed.
"Nonsense! You know it is not Cris. Cris has his latch-key."
Another alarming peal.
"He can see the light in my dressing-room," she urged, with parched
lips. "Oh, James, let me go down."
"I tell you--No."
There was no appeal against it. She knew there might be none. But she
clasped her hands in agony, and gave utterance to the distress at her
heart.
"Where will he sleep? Where can he go, if we deny him entrance?"
"Where he chooses. He does not enter here."
And Mrs. Chattaway went back to her dressing-room, and listened in
despair to further appeals from the bell. Appeals which she might not
answer.
CHAPTER XIII
OPINIONS DIFFER
The nights were chilly in the early autumn, and a blazing fire lighted
up the drawing-room at Trevlyn Farm. On a comfortable sofa, drawn close
to it, sat Mrs. Ryle, a warm shawl thrown over her black silk gown--soft
cushions heaped around her. A violent cold had made an invalid of her
for some days past, but she was recovering. Her face was softened by a
white cap of delicate lace; but its lines had grown haughtier and firmer
with her years. She wore well, and was handsome still.
Public-domain text, read in full here on John Shaqi.
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