Trichocosmos: Notes historical, æsthetical, ethnological, physiological, anecdotal and tonsorial, on the hair & beardAnonymous
History
Trichocosmos: Notes historical, æsthetical, ethnological, physiological, anecdotal and tonsorial, on the hair & beard
Anonymous
Barbering; Beards; Hair; Hairdressing; Wigs
In olden time, the hair was said to be produced by “a vapour or
excrement of the brain.” In the more exact language of science it is
described as a horny appendage of the skin. The skin is shown to be
composed of two layers--the outer termed the cuticle, the inner the
cutis. The cuticle is an insensible transparent membrane covering the
whole surface of the body; the portion exposed to the air consists
of flattened cells or scales which are continually being renewed;
while on the inner surface, in contact with the cutis, is a soft
mucous substance, in which are situate the pigment cells giving the
characteristic colour peculiar to race and climate. The cutis is
composed of the layer of minute papillæ, the principal seat of the
sense of touch, covering an intricate arrangement of fibrous tissue,
which receives the delicate ramifications of the nerves and arteries.
The sheath from which the hair protrudes above the skin is formed by
a tubular depression of the cuticle which reaches below the cutis to
the subjacent fat and cellular tissue; the lower end of the sheath
is shaped like a pouch, and contains the pulp from which the bulb
and shaft of the hair are formed in successive portions--the most
recent pushing forward that previously formed. The bulbs are larger
in young than in old hairs, and are implanted obliquely in respect to
the cuticle. The shaft of the hair being formed by an aggregation of
parts, has been likened to a pile of thimbles one resting within the
other; this overlapping of the outer coating of scales gives rise to
that roughness which we feel on passing the fingers along a hair from
the point to the bulb, though apparently perfectly smooth when held
in the opposite direction. The colouring matter of the hair is seen in
the pulp, and is distributed between the cells composing the shaft. In
form the hair may be described as a flattened cylinder, not, however,
hollow or filled with a kind of pith as is usually supposed; but solid
throughout and formed of a homogeneous mass of a cellular texture. From
the extreme minuteness of its structure, and the mystery which shrouds
all vital processes, it is still a question as to whether the shaft
of the hair is permeable by fluids derived from the blood. The old
notion of a circulation within the hair like the sap in vegetables is
disregarded; but it is contended that absorption does take place, and
that fluids are transmitted to the extreme point of the hair. In proof
of this we are referred to the sudden change of colour which the hair
undergoes in extraordinary cases of mental emotion, as instanced in the
sufferings of Marie Antoinette, whose hair was found to have turned
grey with grief. It is assumed that the altered condition of the blood
acting chemically upon the fluids of the hair destroys the colour. If
this be granted, we must look for minor changes in the colour of the
hair with every ordinary change in the normal condition of the blood.
Public-domain text, read in full here on John Shaqi.
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