Turgenev, Ivan Sergeevich, 1818-1883; Turgenev, Ivan Sergeevich, 1818-1883 -- Criticism and interpretation
Twenty-two years ago the above appreciation of _On the Eve_ was written
by the present writer, who, on re-reading it, finds it necessary to
alter only two or three sentences. The sentence "The respectful, if
slightly forced, silence that has been imposed by recent political
events on the tribe of faithful watchdogs" is an allusion to the first
attempt made by our diplomatists and our Court, on the accession of
Nicholas II., to reverse the traditional policy of England's hostility
to Russia. The sequel, despite the surprising ups and downs of the
political barometer, was determined by Germany's naval policy and the
Anglo-French _entente_.
VII
"FATHERS AND CHILDREN"
CHAPTER VII
"FATHERS AND CHILDREN"
I
While _On the Eve_ signalizes the end of the Crimea epoch and the
break-up of the crushing, overwhelming régime of Nicholas, _Fathers
and Children_ is a forecast of the new Liberal movement which arose
in the Russia of the 'sixties, and an analysis of the formidable type
appearing on the political horizon--the Nihilist.
Turgenev was the first man to detect the existence of this new type,
the Nihilist. His own account of his discovery gives us such an
interesting glimpse of his method in creative work that we transcribe a
passage from his paper on _Fathers and Children_, written at Baden in
1869:
"It was in the month of August 1860, when I was taking sea baths
at Ventnor, in the Isle of Wight, that the first idea of _Fathers
and Children_ came into my head; that novel, thanks to which the
favourable opinion of the younger generation about me, has come to an
end. Many times I have heard and read in critical journals that I
have only been elaborating an idea of my own.... For my part, I ought
to confess that I never attempted to create a type without having,
not an idea, but a living person, in whom the various elements
were harmonised together, to work from. I have always needed some
groundwork on which I could tread firmly. This was the case with
_Fathers and Children_. At the foundation of the principal figure
Bazarov was the personality of a young provincial doctor. He died not
long before 1860. In that remarkable man was incarnated to my ideas
the just rising element, which, still chaotic, afterwards received
the title of Nihilism. The impression produced by this individual
was very strong. At first I could not clearly define him to myself.
But I strained my eyes and ears, watching everything surrounding me,
anxious to trust simply in my own sensations. What confounded me was
that I had met not a single idea or hint of what seemed appearing to
me on all sides. And the doubt involuntarily suggested itself...."
Public-domain text, read in full here on John Shaqi.
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